Mozart composed some fifty symphonies, if we include works he adapted from opera overtures or serenades by adding movements or taking them away. The first dates from 1764-5, at the time of his childhood visit to London, and most are early works, quite short. Many are associated with his boyhood travels (his first trip to Italy in 1769-71, for instance) but his most prolific period as a symphonist was between 1771 and 1774 when, in Salzburg, he wrote no fewer than seventeen.
Avid Jazz here presents four classic Shorty Rogers albums including original LP liner notes on a finely re-mastered double CD. "The Big Shorty Rogers Express" (1956) - here we find the famed arranger and trumpeter Shorty Rogers moving away from the small group format and into the big band field. Shorty and his fellow musicians Art Pepper, Bud Shank, Jimmy Giuffre, Marty Paich to name but a few, bring a fresh West Coast spirit to the traditional big band swing ethic!
"Shorty Rogers & His Giants" 1953 - Shorty is once again joined by many fine players including Milt Bernhart on trombone, Hampton Hawes on piano, John Grass on French horn alongside stalwarts Art Pepper, Jimmy Giuffre, and Shelly Manne for a combination of swing and small group numbers…
Though Yanni is widely known as one of the most popular purveyors of New Age music, there's actually quite a bit going on here. In addition to the Greek keyboard whiz's usual arching, romantic melodies there are a host of other musical elements present. ETHNICITY is an eclectic mix of the operatic (check out Michelle Amato's pipes on "For All Seasons" and "Almost a Whisper"), the electronic (the pulsing, almost Moroder-esque sequencers on "Play Time" and "Written on the Wind"), and the ancient (the chanting on "Tribal Dream," the timeless-sounding flute work that permeates the album). Keying in on the album's title, the closing tune "Jivaeri" is a traditional Greek ballad that touches on Yanni's personal roots while still remaining very much of a piece with the rest of this sonically diverse offering.