The soundtrack to the 2018 Queen biopic Bohemian Rhapsody offers a fittingly cinematic portrait of the iconic rock band, built around a handful of the group's most well-known songs, including live versions and several tracks reworked specifically for the film. As a souvenir of the movie, the soundtrack works especially well. Opening with guitarist Brian May's arrangement of the "20th Century Fox Fanfare," and showcasing his distinctive searing guitar leads, it perfectly sets the tone for telling Queen and Freddie Mercury's story on the big screen. Here we get such beloved classics as "Somebody to Love," "Killer Queen," "Another One Bites the Dust," and "Under Pressure."
Live Aid was a benefit concert held on Saturday 13 July 1985, as well as a music-based fundraising initiative. The original event was organised by Bob Geldof and Midge Ure to raise funds for relief of the 1983–1985 famine in Ethiopia. Billed as the "global jukebox", the event was held simultaneously at Wembley Stadium in London, UK, attended by about 72,000 people and John F. Kennedy Stadium in Philadelphia, US, attended by 89,484 people.
Live Aid was a benefit concert held on Saturday 13 July 1985, as well as a music-based fundraising initiative. The original event was organised by Bob Geldof and Midge Ure to raise funds for relief of the 1983–1985 famine in Ethiopia. Billed as the "global jukebox", the event was held simultaneously at Wembley Stadium in London, UK, attended by about 72,000 people and John F. Kennedy Stadium in Philadelphia, US, attended by 89,484 people.
Live Aid was one of the biggest global television events of all time. An estimated 1.9 billion people across the world tuned in for the concert broadcast, and it was estimated that the TV telecast reached more than 500 million of the world's approximate 600 million TV sets, including in the Soviet Union (now Russia) and China (which was unprecedented at the time in the 1980s). Live Aid was a benefit concert held on Saturday 13 July 1985, as well as a music-based fundraising initiative. The original event was organised by Bob Geldof and Midge Ure to raise funds for relief of the 1983–1985 famine in Ethiopia. Billed as the "global jukebox", the event was held simultaneously at Wembley Stadium in London, UK, attended by about 72,000 people and John F. Kennedy Stadium in Philadelphia, US, attended by 89,484 people.
A Kind of Magic is the twelfth studio album by the British rock band Queen, released on 3 June 1986 by EMI Records in the UK and by Capitol Records in the US. It was their first studio album to be recorded digitally, and is based on the soundtrack to the film Highlander, the first in a series directed by Russell Mulcahy. A Kind of Magic was Queen's first album to be released since they had been acclaimed for their performance at the 1985 Live Aid concert. It was an immediate hit in the UK, going straight to number one and selling 100,000 copies in its first week. It remained in the UK charts for 63 weeks, selling about six million copies worldwide.
A Kind of Magic is the twelfth studio album by the British rock band Queen, released on 3 June 1986 by EMI Records in the UK and by Capitol Records in the US. It was their first studio album to be recorded digitally, and is based on the soundtrack to the film Highlander, the first in a series directed by Russell Mulcahy. A Kind of Magic was Queen's first album to be released since they had been acclaimed for their performance at the 1985 Live Aid concert. It was an immediate hit in the UK, going straight to number one and selling 100,000 copies in its first week. It remained in the UK charts for 63 weeks, selling about six million copies worldwide (600,000 in the UK alone). The album spawned four hit singles: the album's title track "A Kind of Magic", "One Vision", "Friends Will Be Friends", and "Who Wants to Live Forever", which features an orchestra conducted by Michael Kamen, while the last track, "Princes of the Universe", is the theme song to Highlander.
By the release of 1986's A Kind of Magic, Queen's stature as a prominent rock band in the U.S. had slipped considerably, while in all other parts of the world (especially Europe), they remained superstar hitmakers…
As Queen's second live album, Live Magic might appear to be a bit unnecessary, but a closer look reveals that it's a better record than the previous Live Killers. Culled from a variety of dates from the 1986 Kind of Magic tour but concentrating on the final show at Knebworth, Live Magic captures Queen, and Freddie Mercury in particular, at the height of their powers…
By the release of 1986's A Kind of Magic, Queen's stature as a prominent rock band in the U.S. had slipped considerably, while in all other parts of the world (especially Europe), they remained superstar hitmakers…
As Queen's second live album, Live Magic might appear to be a bit unnecessary, but a closer look reveals that it's a better record than the previous Live Killers. Culled from a variety of dates from the 1986 Kind of Magic tour but concentrating on the final show at Knebworth, Live Magic captures Queen, and Freddie Mercury in particular, at the height of their powers. While the set list might rely a bit too heavily on mediocre mid-'80s material for some tastes, the band is tight and professional, and Mercury has an undeniable hold over the crowd. It's to Queen's credit that the energy rarely dips over the course of the record.