Queen Aid

As Queen's second live album, Live Magic might appear to be a bit unnecessary, but a closer look reveals that it's a better record than the previous Live Killers. Culled from a variety of dates from the 1986 Kind of Magic tour but concentrating on the final show at Knebworth, Live Magic captures Queen, and Freddie Mercury in particular, at the height of their powers. While the set list might rely a bit too heavily on mediocre mid-'80s material for some tastes, the band is tight and professional, and Mercury has an undeniable hold over the crowd. It's to Queen's credit that the energy rarely dips over the course of the record.

The set presents a compilation of concert highlights captured the world over personally selected by Taylor, May and Lambert from over 200 shows they have performed with several featured here becoming available for the very first time. These cover concerts from Rock in Rio, Lisbon, to the UK’s Isle of Wight Festival, Summer Sonic, Japan, selected UK and North America tour dates, and - from one of their very last performances before lockdown – the Fire Fight Australia benefit show. All formats include the band’s entire 22-minute Fire Fight Australia appearance in which they performed Queen’s original history-making 1985 Live Aid set in full: Bohemian Rhapsody, Radio Ga Ga, Hammer To Fall, Crazy Little Thing Called Love, We Will Rock You and We are The Champions. While even Freddie Mercury’s iconic Ay-Ohs feature.

The soundtrack to the Queen biopic will please both casuals and obsessives. For the former, lots of hits: “Crazy Little Thing Called Love,” “Under Pressure,” and, of course, the grandiose title track among them. And for the latter, Queen struts out rare live tracks and fresh updates to classics. “We Will Rock You” merges a studio and live performance, “Don’t Stop Me Now” features newly recorded guitar parts from Brian May. The surviving members of Queen also recorded their very own arrangement of the famous 20th Century Fox theme. But the biggest jewel in the crown is the addition of five songs from the band’s dramatic 1985 Live Aid performance—a faithful re-creation of which serves as the movie's climax—now available for the first time. Ayyy-oh!

As Queen's second live album, Live Magic might appear to be a bit unnecessary, but a closer look reveals that it's a better record than the previous Live Killers. Culled from a variety of dates from the 1986 Kind of Magic tour but concentrating on the final show at Knebworth, Live Magic captures Queen, and Freddie Mercury in particular, at the height of their powers…

A Kind of Magic is the twelfth studio album by the British rock band Queen, released on 3 June 1986 by EMI Records in the UK and by Capitol Records in the US. It was their first studio album to be recorded digitally, and is based on the soundtrack to the film Highlander, the first in a series directed by Russell Mulcahy. A Kind of Magic was Queen's first album to be released since they had been acclaimed for their performance at the 1985 Live Aid concert. It was an immediate hit in the UK, going straight to number one and selling 100,000 copies in its first week. It remained in the UK charts for 63 weeks, selling about six million copies worldwide.

The set presents a compilation of concert highlights captured the world over personally selected by Taylor, May and Lambert from over 200 shows they have performed with several featured here becoming available for the very first time. These cover concerts from Rock in Rio, Lisbon, to the UK’s Isle of Wight Festival, Summer Sonic, Japan, selected UK and North America tour dates, and - from one of their very last performances before lockdown – the Fire Fight Australia benefit show. All formats include the band’s entire 22-minute Fire Fight Australia appearance in which they performed Queen’s original history-making 1985 Live Aid set in full: Bohemian Rhapsody, Radio Ga Ga, Hammer To Fall, Crazy Little Thing Called Love, We Will Rock You and We are The Champions. While even Freddie Mercury’s iconic Ay-Ohs feature.

This is the second creative project bringing together conductor Teodor Currentzis and director Peter Sellars (the first being the operatic double-bill of Iolanta and Perséphone staged in Madrid in 2012), and also the first collective production of three opera companies — the Perm Opera and Ballet Theatre, the Spanish Teatro Real and the English National Opera. The action is set in Central America. Spanish colonialists are at war with the native Mayan people. In the face of the armed forces the locals appear armed with bows and arrows, but they are mere children. Blood runs like a river. The Mayans resort to trickery – in order to infiltrate the enemy, the daughter of the Mayan chief becomes a concubine to the commander of the Spanish army. The plan brings her unexpected happiness (she falls in love with the commander and has children with him) but also tragedy (the Spanish colonialists continue the massacre of the Mayans). With nowhere to turn for help, the only hope is that the great Mayan gods will descend from the sky to the earth at the critical moment…