Raphael

Pete Townshend & Raphael Rudd - The Oceanic Concerts (2001) {Rhino–Eel Pie R2 74289 rec 1979-1980}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 457 Mb | MP3 @320 -> 182 Mb
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© 1979-80, 2001 Rhino / Eel Pie | R2 74289
Rock / Classic Rock / Folk Rock

This is an archival release designed for the fans, and it should be treated that way. That means while there are certainly interesting variations of familiar songs, rarities, and unexpected delights for fans, it's undeniably for those fans who will realize how these versions differ from the originals, or those who will delight in the subtle stage patter from Townshend. Most of all, it's for the fans who embrace the spiritual side of Townshend, particularly his recordings for his guru, Avatar Meher Baba, since he and Raphael Rudd performed these concerts in his honor, several songs derive from Townshend's independently released albums for him, and these recordings are taken from concerts given in 1979-1980 for a select group of Meher Baba devotees.

Spanish pop star Rafael Martos (born Miguel Rafael Martos Sánchez and globally as "Raphael") is one of Spain's best-known singers. His multi-octave range and flamboyant stage persona have entertained and engaged people worldwide since 1959. He is also a movie and television actor, and the father of Spanish movie director Jacobo Martos. Raphael is perhaps known best in his homeland for dramatically acting out his songs while on-stage. His record company, Hispavox, awarded him with the world's one and only "Uranium Disc" for his compilation album Ayer, Hoy y Siempre due to the impossibility of presenting him with 300 platinum discs – it sold 50 million copies.

This two-album set features British cello concertos from Raphael Wallfisch’s best late-1980s recordings. He has always worked closely with leading British composers of our time and is now regarded as the finest performer of their works for cello. As International Record Review asserted, ‘no British cellist has done more to advocate British composers than Raphael Wallfisch… [His] playing evinces that attention to detail, tonal finesse and understated conviction which has long made him an exponent of new and unfamiliar music.’ Those works are probably among the finest of the twentieth-century British repertoire. The original recordings won enthusiastic reviews, helped by such champions of British composers as Vernon Handley, Norman Del Mar, and Bryden Thomson, here conducting top British orchestras such as the Royal Liverpool Philharmonic and London Philharmonic.