All of Strauss' symphonic poems tell a story, but in Ein Heldenleben the subject is his own life. Casting himself as the Hero, the hostile music critics as Adversaries, his compositions as Works of Peace, his Flight from the World as Consummation, the 34-year-old composer seems to succumb to unabashed egotism and grandiosity. However, his self-indulgence is redeemed by his music, which abounds with soaring, rapturous melodies, breath-taking modulations and gorgeous, scintillating orchestral colors. A solo violin represents the Hero's Companion, Strauss' beloved but famously difficult wife; their love scene contains some of his most ravishing, ecstatic music. Equally striking is his mordantly satirical depiction of the cacophonously bickering Adversaries, who rear their malicious heads even during moments of triumphant fulfillment. Toward the end, Strauss slyly tempts listeners to "Name that tune!" with almost 30 quotes from his own works.
"Rattle That Lock" is the new solo album by David Gilmour, the voice and guitar of Pink Floyd. This is David's fourth solo album, and the first since 2006's # 1 album "On An Island". The primary lyricist for "Rattle That Lock" is Gilmour s long-term writing partner, Polly Samson, and the album is co-produced by David Gilmour and Roxy Music s Phil Manzanera. The album's striking cover has been art directed by Dave Stansbie. The lead single of this album is the title track, "Rattle That Lock". The song begins with the four notes, created by Michael Boumendil, which precede announcements at French SNCF railway stations which Gilmour recorded on his iphone at Aix station. Samson s lyrics are inspired by Book 2 of John Milton s Paradise Lost, which is also featured in her recent acclaimed novel, The Kindness. The single also features the Liberty Choir and singers Mica Paris and Louise Marshall.
Sir Simon (Denis) Rattle became one of the world's leading conductors at an unusually early age. As a boy, Rattle studied percussion; at the age of 11, he appeared as a percussionist with the Royal Liverpool Philharmonic Orchestra. He joined the National Youth Orchestra, again as a percussionist, and began conducting when he was a teenager. At 15, he founded and conducted the Liverpool Sinfonia.
"If anyone has recorded a lovelier Mozart recital in recent years, I've yet to hear it. In her early thirties, Kozená is now consummate mistress of her art. Her liquid high mezzo, with its easy upward extension, combines warmth with the bloom and freshness of youth, while her coloratura, on display in 'Al desio di chi t'adora' . . . is as brilliant and expressive as Bartoli's, yet without the Italian diva's intrusive aspirates . . . Fortepianist Jos van Immerseel is an equally sympathetic partner in an impassioned yet intimate performance . . ." ~Gramophone