Rattle

Elgar’s violin concerto – distinctively passionate and nostalgic – is one of the great late-Romantic concertos. “It is a huge piece,” says Renaud Capuçon “both in terms of its length and its romantic and noble nature.” This is Capuçon’s first recording with Sir Simon Rattle, here conducting the London Symphony Orchestra. When Rattle chose Elgar’s Enigma Variations for his inaugural concert as the LSO’s music director in 2017, he was celebrating the close historic links between the composer and the orchestra. Not only did the LSO accompany Fritz Kreisler in the premiere of the violin concerto in 1910, Elgar became its Principal Conductor the following year. Paired with the concerto on this album is his violin sonata, first performed in 1919. Renaud Capuçon, who calls the sonata “a work of nobility and tenderness”, is joined by one of the leading British pianists of today, Stephen Hough.

It is no surprise that Sir Simon would one day tackle this most comprehensive of Bach’s compositions in view of his much applauded interpretation of the St. John Passion in 2006. The Berliner Morgenpost wrote at the time: “A performance of this musical calibre renders superfluous all questions about authenticity and historical performance practice. At the Philharmonie Sir Simon Rattle and his orchestra performed the St. John Passion […] with highly concentrated and flawless beauty devoid of any distorting indulgence.”

It is no surprise that Sir Simon would one day tackle this most comprehensive of Bach’s compositions in view of his much applauded interpretation of the St. John Passion in 2006. The Berliner Morgenpost wrote at the time: “A performance of this musical calibre renders superfluous all questions about authenticity and historical performance practice. At the Philharmonie Sir Simon Rattle and his orchestra performed the St. John Passion […] with highly concentrated and flawless beauty devoid of any distorting indulgence.”

Recordings of all the Beethoven symphonies with their chief conductor are always a milestone in the artistic work of the Berliner Philharmoniker. So it was with Herbert von Karajan and Claudio Abbado, and expectations are correspondingly high for this cycle conducted by Sir Simon Rattle. Where does the special status of these symphonies come from? Simon Rattle has an explanation: “One of the things Beethoven does is to give you a mirror into yourself – where you are now as a musician.” In fact, this music contains such a wealth of extreme emotions and brilliant compositional ideas that reveal the qualities of the orchestra and its conductor as if under a magnifying glass.

Former Pink Floyd guitarist David Gilmour is not prolific. Rattle That Lock is only his fourth solo studio album (though it follows his late band's final album, The Endless River, by only ten months). Gilmour recorded some 35 songs for this set, some dating back 18 years. Trimming them to ten couldn't have been easy. Titled for John Milton's second book in Paradise Lost, Rattle That Lock is structured as an informal song cycle to reflect the sometimes random, sometimes weightier thought processes of a typical person in a single day…

One of Rachmaninoff’s most popular pieces, the Second Symphony is an indulgently melancholic and sentimental work: a magic box of the late-Romantic orchestra. Dramatic sections played by the full orchestra contrast heart-breaking swells that only this composer could have written. The LSO has a long history with the Second Symphony, recording it many times with conductors such as André Previn, Gennady Rozhdestvensky and Valery Gergiev. For this recording, which was captured during the opening of the London Symphony Orchestra's 2019/20 season at the Barbican Hall, the Orchestra's Music Director Sir Simon Rattle conducted from memory, performing the uncut version of this symphonic treasure.

Since no "Deluxe Edition" exists of this album, I decided to make my own collection while I wait for the real official edition to appear, because, it'll appear, right ??? I think you'll really enjoy this compilation. This is a mix of Rattle And Hum album, b-sides, and live tracks from the DVD that didn't appear on the album.

A concert movie on an unprecedented scale. Rattle And Hum captures U2 – on and off the stage – during their triumphant Joshua Tree tour. From the giant Technicolor stadium celebrations to the black-and-white intensity of the indoor shows, this is U2 at their best. Follow the group across America, exploring new influences, playing with the legendary B.B. King, on a journey which takes them from Dublin to Graceland, from San Francisco to the streets of Harlem, from The Joshua Tree to Rattle And Hum.