On July 26, 1953, Charlie Parker performed at the Open Door, a club near Washington Square in New York's Greenwich Village, with trumpeter Benny Harris, pianists Bud Powell and Al Haig, bassist Charles Mingus, and drummer Art Taylor. This was exactly when Jack Kerouac was hanging out at the Open Door, absorbing the sights and sounds and taking notes that would soon form the basis for his novel The Subterraneans. It is possible and even likely that Kerouac was in the audience while these recordings were being made. The aural ambience is literally shaped by the room, the cigarette smoke, the crowd, the intoxicants, and the primitive tape-recording apparatus used to capture these precious moments near the end of Charlie Parker's brief life.
Paul Haslinger was a member of Tangerine Dream in the mid-1980s, but while that German synth band cranks along like an alien Edsel that doesn't realize its time has gone, Haslinger has been building a catalog of cutting-edge music that will take us into the next millennium. Following on the heels of his 1997 ethno-techno blowout, World Without Rules, Haslinger steps into a space-age bachelor pad for Score. Although Haslinger is a classically trained keyboardist, he doesn't let that get in the way of his sample-and-paste aesthetic.
Sarah Vaughan recorded frequently during her three years with Roulette, and all 16 albums she completed for them plus five previously unissued tracks are included in this comprehensive eight-CD boxed set from Mosaic. The gifted singer is heard in a variety of settings, from superb small-group sessions to big-band settings and various dates bordering on easy listening; the sessions omitting the often syrupy string sections are the cream of this bumper crop.