Raye

The final installment completing the entirety of Buck Owens’ historical Capitol singles.

Various Artists - The Bakersfield Sound - Country Music Capital Of The West 1940-1974 (2019) {10CD Set Bear Family BCD16036}
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© 1940-74, 2019 Bear Family Records | BCD 16036
Country / Traditional Country / Bakersfield Sound / Honky Tonk

Buck Owens turned Bakersfield, California into the epicenter of hip country music in the mid-'60s. All it took was a remarkable streak of number one singles that steam rolled right through Nashville with their electrified twang, forever changing the notion of what constituted country music and codifying the Bakersfield sound as hard-driving rhythms, trebly Telecasters, and lean arrangements suited for honky tonks, beer joints, and jukeboxes all across America. Half-a-century later, these remain sonic signifiers of Bakersfield, so the term no longer conveys a specific sound, place, and era, a situation the weighty Bear Family box The Bakersfield Sound: Country Music Capital of the West 1940-1974 intends to rectify.

Ahmad Jamal - The Complete Ahmad Jamal Trio Argo Sessions 1956-62 (2010) {9CD BoxSet Mosaic MD9 246}
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© 2010 Mosaic Records / UMG | MD9 246
Jazz / Cool / Bop / Piano

Miles once said, "All my inspiration today comes from Ahmad Jamal." These recordings are the reason why. The mid fifties was a fertile time for jazz; fresh, original ensembles were taking shape all over the country. The Modern Jazz Quartet, the Dave Brubeck Quartet, The Jazz Messengers and the Ahmad Jamal Trio immediately come to mind. Among musicians, each group had its imitators and its creative disciples who took its innovations one step further.

Buck Owens - Buck 'Em! - Volume 2: The Music Of Buck Owens (1967-1975) (2015) {2CD Omnivore Recordings OVCD-135}
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© 1967-75, 2015 Omnivore Recordings | OVCD-135
Country / Bakersfield Sound / Honky Tonk / Traditional Country

Two years after the first installment comes Buck 'Em!: The Music of Buck Owens, Vol. 2, a double-disc set chronicling the eight years when Buck Owens was a crossover superstar thanks to his prominent role as a co-host of Hee Haw. Buck started to slide into a rut toward the end of this run – a process accelerated by the tragic death of his right-hand man Don Rich in 1974, a loss from which Owens never fully recovered – but producer Patrick Milligan slyly disguises this trend by nestling deep cuts, live tracks, and outtakes among the best of his hits, thereby painting a portrait of Buck Owens as a musician nearly as adventurous as he was during the purple patch of the '50s and early '60s.

There are too many artists here who are matched up with songs beyond their ability or apparent understanding. Certainly the most glaring example of this is Mary Chapin Carpenter's version of Don Gibson's classic hit "Oh Lonesome Me." Another glaring mismatch is the Collin Raye/Joe Diffie cover of the Billy Joe Shaver rebel rouser "Honky Tonk Heroes (Like Me)," the rallying cry of the outlaw country movement during the '70s…