Raven's 2002 two-fer CD reissue of Jerry Lee Lewis' 1968 album Another Place Another Time and 1970's She Even Woke Me Up to Say Goodbye contains the added bonus of six tracks – over half the album – from 1969's She Still Comes Around (To Love What's Left of Me). By doing this, the disc transcends typical two-fer status (which, frankly, would have been enough, since these two albums are so tremendous, their first CD release is something to celebrate) and becomes the best single-disc collection of Jerry Lee's country material. There have been other discs that tackle the same recordings for Smash (all unfortunately out of print as of this writing), but their scope was a little broader, including many of his '70s hits for Mercury as well as Smash sides unheard here.
Pianist Russ Freeman, who produced this record, related it this way : “The last time we were (with Shelly Manne’s quintet) in San Francisco, we went to blow at some motel on the outskirts of town one afternoon. There were some other musicians there; we took turns playing. Jerry (Dodgion) was there. The afternoon wound up with Charlie and Jerry playing the blues with a rhythm section for about twenty minutes. It was one of the most memorable experiences I have ever had, and I wasn’t even playing!
For their second album, the Legendary Blues Band – featuring members of Muddy Waters backing band, including Pinetop Perkins, Peter Ward, Calvin Jones, Jerry Portnoy and Willie Smith – nearly captured the big, powerful sound of Muddy at his peak. Perkins and Jones don't have the same presence as Waters, but they're fine vocalists in their own right, and the band itself has the same intoxicating rush that made such latter-day Muddy efforts as Hard Again so enjoyable. And that means that Red Hot 'N' Blue is as close to Waters as you're going to get without Muddy himself – and that means it's one of the better Chicago blues records of its era.