This text presents all of the materials commonly used by the jazz musician in a logical order dictated both by complexity and need. The book is not intended to be either an arranging or improvisation text, but a pedagogical reference providing the information musicians need to pursue any activity they wish. …
Sinéad O'Connor ranked among the most distinctive and controversial pop music stars of the 1990s, the first and in many ways the most influential of the numerous female performers whose music dominated airwaves throughout the decade…
The presence of John Coltrane on this 1958 Savoy release is its obvious drawing card, but in fact there are impressive contributions from all hands. Leader Wilbur Harden left the jazz scene by the early '60s, which is a pity. He was a player with fresh ideas and an engaging command of his trumpet's and flügelhorn's middle register. The sextet heard on this date performs two Harden compositions and one by the group's trombonist, Curtis Fuller, for a skimpy total running time of 29 minutes. The "way out" reference in the title is misleading. There are traces of exotic Asian and African influences, but they never overpower what is essentially an intelligent, straight-ahead, hard bop date. At the time of this release, Coltrane had been recording as a leader and sideman for Prestige and was on his second tour of duty with Miles Davis, whose group was on the verge of recording Kind of Blue…
In this set of nine originals, the Horace Silver touch is clearly evident: happy, strong melodies; groovin' beats; Silver's deft, deliberate, bluesy piano comping and boppin' leads; and the joyful playing of saxophonist Jimmy Greene and trumpeter Ryan Kisor, which seems to be more intense in the context of Silver's unmistakable compositions.