"…Musica Antiqua convey equal vitality and character to the two most striking rarities here. JCF Bach’s double concerto for fortepiano and viola appears as a prototype symphony with important solo interjections. Melodically unexceptional, it is nevertheless stylish in a jejune way. CPE Bach – the most iconoclastic of the sons – successfully combines the prevailing keyboard instruments of the day, harpsichord and fortepiano. Fingers fly with aplomb – and no little mischief – as one is left to ponder the impact of this last Bach generation on Mozart and Beethoven, with whom there were (and are) of course many significant connections. Goebel provides a historical wake-up call." ~Gramophone
2014 marks the 45th Anniversary of the launch of the Invictus, Hot Wax and Music Merchant labels – the trio of labels that Brian Holland, Lamont Dozier and Eddie Holland launched following their acrimonious split from Berry Gordy’s Motown Empire. Since the 45rpm record was the fulcrum of the new operation, we thought this would be the perfect excuse to celebrate the 45th anniversary by pulling together every single 45 release from the discography of Invictus, Hot Wax and Music Merchant - both A and B sides. That’s 96 x Invictus 45s, 44 x Hot Wax 45s and 17 x Music Merchant 45s – 157 singles and 269 original recordings total.
For many a jazz fan John Coltrane's A Love Supreme is their personal desert island pick, the one recording they would not hesitate to live their days out listening to. Recorded on December 9, 1964, the session has endured as a document of the saxophonist's faith, as it was the proclamation of his rebirth from the jazz life of alcohol and substance abuse.
Deluxe box set containing 21 CDs, four Blu-rays and two DVDs - all audio. Three CDs feature Steven Wilson and Robert Fripp stereo mixes of In The Wake Of Poseidon (1970), Lizard (1970) & Islands (1971) + additional tracks. Six CDs feature the Islands line-ups early concerts from Germany (new to CD) and the UK (1971). Nine CDs feature live recordings (several new to CD and/or previously unreleased in any format) from the 1972 US tour, including a new stereo mix of Summit Studios and an expanded Earthbound…
Conceived as part of a collaboration between Robert Wyatt and Daniel Yvinec specially for the ONJ, this programme pays homage to the universe and protean personality of the singer. In addition to Wyatt himself, Yvinec has invited other well known voices to offer their own versions of a repertoire consisting of Wyatt originals and songs memorably interpreted by the singer. The idea is straightforward: start with the jewel and build the showcase around it.
For only the second time in her career, jazz pianist and vocalist Diana Krall deviates from her tried, true m.o. of covering easily identifiable jazz standards. On Glad Rag Doll she teams with producer T-Bone Burnett and his stable of studio aces. Here the two-time Grammy winner covers mostly vaudeville and jazz tunes written in the 1920s and '30s, some relatively obscure. Most of the music here is from her father's collection of 78-rpm records. Krall picked 35 tunes from that music library and gave sheet music to Burnett.
Another stroke of genius. Vastly different from their darker and highly melodic Paradox Hotel and a nod to the jazz of Space Revolver, the happiness of Stardust we are, and the positive melody-writing of Adam and Eve. This album completely kicks out their tendencies to make an album-flow with short songs, intermissions and interludes…
A deeply seductive album of Spanish songs by composers including Granados and Turina, performed by the young Spanish soprano Sylvia Schwartz, whose commitment to this repertoire is described above, and is evident from her utterly enchanting performances.