Reference Vocal

In the early 2010s, the members of Yumi Zouma spent time together on a New Zealand street that gave its name to their first single, “The Brae.” After the 2011 Christchurch earthquake destroyed that street and much of the city, its members took off for other parts of the globe and soon began writing their first songs over email.

The initial inspiration for this project came to me while I was writing a monograph on Schönberg’s “Verklärte Nacht”, Il labirinto e l’intrico dei viottoli [The Labyrinth and the Tangle of Pathways]. Schönberg, like Mahler, was attuned to the relationship between music and venues for music, and in my research, I discovered that Mahler was particularly concerned with the chamber-music aspect of his own Lieder from the Wunderhorn collection. He had even conducted some of them in what was then known as the Small Hall of Vienna’s Musikverein (now Brahms Hall), a space only suitable for a chamber orchestra—too small for the ensemble required for some of these Lieder. I consequently wondered about the kind of adaptation Mahler had made for that performance, while I was already considering undertaking a similar operation myself.

True Concord’s newest album, A Dream So Bright, features two world premiere recordings of works by Jake Runestad. His EMMY®­-winning choral/orchestral work, Earth Symphony, with poetry of Todd Boss, was commissioned and premiered by True Concord in 2022. Dreams of the Fallen, Runestad’s prize­-winning work for solo piano, chorus & orchestra, features pianist Jeffrey Biegel and includes texts of the poet Brian Turner, a veteran of the Iraq and Afghanistan war. Turner states: When the music lifts to its peak, when the choir sings into the high cathedral of the human experience—the hairs on the back of my neck take notice, my own heart takes notice, and I am moved once again by the fusion of sound and story. “Dreams of the Fallen” is a compassionate, emotionally­ layered, elegant, and poignant work of art that I am proud to be a part of.

Where Lana Del Rey’s previous 2021 album Chemtrails Over the Country Club made no reference to the global pandemic in which it was partly created, Blue Banisters is steeped in it. From bringing up Black Lives Matter protests in “Text Book” to facing the loneliness of isolation during quarantine in “Black Bathing Suit,” there’s no shortage of references to the year that kept us all inside. “And if this is the end, I want a boyfriend/Someone to eat ice cream with and watch television,” she sings. When not singing about girls in summer dresses dancing with their masks off, Lana ruminates on her family. She mentions her sister Chuck in the title track and regales with tales about her parents in “Wildflower Wildfire.”

Standing In The Doorway: Chrissie Hynde Sings Bob Dylan will comprises nine renditions of Dylan’s songs and it’s due for release on 21 May – a few days before the icon’s 80th birthday.

One of the most anticipated follow-ups in indie-rock, Valentine was written and produced by Lindsey Jordan and co-produced by Brad Cook (Bon Iver, Waxahatchee). Written in 2019-2020 the album is filled with romance, heartbreak, blood, sweat and tears. On Valentine, her sophomore album on Matador, Lindsey solidifies and defines this trajectory in a blaze of glory. In 10 songs, written over 2019-2020 by Jordan alone, we are taken on an adrenalizing odyssey of genuine originality in an era in which "indie" music has been reduced to gentle, homogenous pop composed mostly by ghost writers. Made with careful precision, Valentine shows an artist who has chosen to take her time. The reference points are broad and psychically stirring, while the lyrics build masterfully on the foundation set by Jordan’s first record to deliver a deeper understanding of heartbreak.