Henri Renaud was a Parisian jazz pianist in the 1940s and '50s who never lost his French touch. Outgoing, charming and a delightful composer, he was a natural point person for American musicians on tour in Paris in need of local sidemen, venues and recording opportunities. In addition to recording in the early 1950s in Paris with Bobby Jaspar, the Belgian saxophonist and flutist, Renaud recorded with Sandy Mosse, Nat Peck, Lee Konitz, Gigi Gryce, Tony Ortega, Art Farmer, Clifford Brown and many others American jazz greats. In early 1954, Renaud was in New York briefly to record with American jazz musicians for the French Swing label, a subsidiary of France's Vogue Records. For the balance of the 1950s, Renaud recorded steadily as the leader of a trio or small orchestra, writing a wide range of beautifully composed songs rich in melody and mood. In 1964, he began a long second career as head of CBS France. Renaud died in 2002.
Born in Paris' 14th arrondissement on May 11, 1952, Renaud was one of six children born to a teacher who moonlighted writing detective thrillers. A poor student with a decided anti-authority streak, Renaud was passionate about politics from an early age, and was an active participant in the landmark student revolts of May 1968. During a month-long student sit-in at Sorbonne University, he began writing his first original songs, and after quitting school worked a series of blue-collar jobs while pursuing a career as an actor. This is a collection of Renaud's best songs.
Renaud Capuçon now has more than one string on his violin: Festival director (Les Rencontres artistiques de Bel-Air, Aix-en-Provence Easter Festival), a well-known chamber musician (he counts Hélène Grimaud, Martha Argerich, Frank Braley or Nicholas Angelich among his election partners), not to mention his brief appearance in the film of Claude Lelouch 7. 57 ap-pm. On the occasion of his 40th birthday, Warner published a CD set entitled "Le Violon Roi", which acts as a portrait of the French violinist, "an enlightened ambassador of classical music to the general public". At his side, the greatest orchestras, conductors and musicians give him the replica in these mostly well-known pieces of music.