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Learn S.O.L.I.D. Principles and Design Patterns to Improve the Quality of your C# Code, with practical exercises.

Stéphane Kronborg est un compositeur d’origine franco-danoise. Il commence le violon à l’age de six ans au conservatoire de Versailles ou il apprend l’harmonie, le solfège et à jouer en orchestre. Il s’initie à la guitare jazz au conservatoire Nadia Boulanger de Paris. Avant de travailler comme compositeur à l’image, il a collaboré avec des artistes très variés à la guitare, violon, basse. Parmi eux : Nouvelle Vague, Marc Collin, Diams, Jean-Charles de Castelbajac, Phoebe Killder (The Avener), Elodie Fregé, Melanie Pain, Hugh Coltman, Nicole Scherzinger, Yasmine Hamdan (Mirwais), Luciole (Dominique Dalcan), Hollywood mon amour, Bill Pritchard, Bristol. Aujourd’hui il compose essentiellement pour le cinéma, la série, la pub et le documentaire.

If in a recent past it was a rarity, nowadays more and more classical musicians find in improvisation – and inclusively in the jazz language – an extra medium of musical creativity. That’s the case of the vibraphonist and marimba player Taiko Saito, complementing that dual frame with aspects coming from the Japanese tradition. An interpreter of the music of contemporary composer Sofia Gubaidulina who also played with marimba virtuoso Keiko Abe, David Friedman and free improv with Kazuhisa Uchihashi, Saito co-founded a duo with the German avant-jazz pianist Niko Meinhold, responding with the album “Koko” (2006) to the emblematic “Crystal Silence” (1973), by the ground-breaking vibraphone-piano duet of Gary Burton and Chick Corea.

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If in a recent past it was a rarity, nowadays more and more classical musicians find in improvisation - and inclusively in the jazz language - an extra medium of musical creativity. That’s the case of the vibraphonist and marimba player Taiko Saito, complementing that dual frame with aspects coming from the Japanese tradition.

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With the kind of humouristic approach characteristic of all things Italian, drummer Francesco Cusa turned the band he founded to play jazz standards into a project dealing, through his original compositions and orchestrations, with the search of the existing possibilities to «re-evoke an epoch and transpose it into the contemporary». And here are the first consequences, maintaining the «identity process» of the «fervid creative moment in black culture» which was defined 50 years ago by Sun Ra.