Results Liza

Liza Minnelli's career as a recording artist essentially lapsed after the commercial failure of her 1977 album Tropical Nights, but recording was never one of her real priorities, taking a back seat to her work as a live performer and film star. After early records on which she was positioned as a middle-of-the-road pop singer in the '60s, she made some attempts to perform contemporary, rock-informed material, but her heart wasn't in that, and eventually she contented herself with occasionally updating her stage act on record, notably with 1987's Liza Minnelli at Carnegie Hall. Thus, Results, her first studio album in 12 years, seemed to come out of the blue. And for Minnelli's old-time fans, it was very different from what they might have expected. Simply put, the album was a Pet Shop Boys electronic dance disc with Minnelli serving as vocalist. Pet Shop Boys, the duo of Neil Tennant and Chris Lowe, were all over the record, writing seven of the songs (including a cover of their hit "Rent"), producing, and contributing synthesizer programming, with Tennant even chiming in on vocals here and there.

The combination of Broadway theatricality and pop sensibility has, perhaps, never been combined so flawlessly than in the 1989 collaboration of Liza Minnelli and the Pet Shop Boys on this her 9th studio album, Results, re-issued herewith as a fully expanded 3-disc collectable box set edition!

Only 22 at the time of this CD, Nicholas Payton had already quickly developed into a major trumpeter. Possessing a fat tone that is sometimes reminiscent of Freddie Hubbard, by the mid-'90s Payton had become New Orleans' latest significant contribution to jazz. On his second Verve release, Payton interprets and modernizes ten songs associated with his hometown and/or Louis Armstrong. Fortunately, Payton generally retains the flavor and joy of the original versions, even while he transforms much of the music into hard bop. To cite a few examples, "Whoopin' Blues" has parade rhythms, send-offs worthy of Lionel Hampton, and boppish solos, "Way Down Yonder in New Orleans" is taken as a slow and lightly swinging ballad, and "I Gotta Right to Sing the Blues" is turned into a jazz waltz…