Richard+davis

Miles Davis - Bitches Brew Live (2011) {Columbia–Legacy 88697 81485 2 rec 1969-1970}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 397 Mb | MP3 @320 -> 143 Mb
Full Artwork @ 300 dpi (png) -> 40 Mb | 5% repair rar
© 1969-70, 2011 Columbia / Legacy / Sony Music | 88697 81485 2
Jazz / Fusion / Jazz-Rock / Trumpet

Before looking into the musical quality on Bitches Brew Live, it's important to note for cost-conscious consumers that none of this material appeared on the Bitches Brew: 40th Anniversary Collector's Edition or the 40th Anniversary Deluxe Edition. The material contained here is compiled from two concert performances. The first three tracks were taken from the Newport Jazz Festival in July of 1969, preceding the release of the album by nine months. The last six were recorded at 1970 Isle of Wight Festival, four months after the album hit store shelves.

The first volume Legacy’s Miles Davis bootleg series offered audio and video evidence of his second great quintet playing the Newport Jazz Festival in Europe in 1967. Acclaim from critics and fans was universal. This second entry, Live in Europe 1969: Bootleg Series, Vol. 2, showcases almost an entirely different band – only saxophonist Wayne Shorter remains. Bassist Dave Holland, drummer Jack DeJohnette, and pianist Chick Corea made up Davis' road band, and other individuals participated in sessions for Filles de Kilimanjaro and In a Silent Way. These fire-breathing performances offer a band at fever pitch hearing and playing what they knew even then was a new chapter in jazz history.

Miles Davis - George Gershwin's Porgy and Bess
EAC+LOG+CUE | FLAC: 259 MB | Full Artwork: 81 MB | 5% Recovery Info
Label/Cat#: CBS "Jazz Masterpieces" # 450985 2 | Country/Year: Netherlands 1987, 1958
Genre: Jazz | Style: Hard Bop, Contemporary Jazz, Modal

"Tomes are available annotating the importance of this recording. The musical and social impact of Miles Davis, his collaborative efforts with Gil Evans, and in particular their reinvention of George Gershwin's Porgy and Bess are indeed profound. However, the most efficient method of extricating the rhetoric and opining is to experience the recording…." ~AMG

Daryl's first CD, with a little something for everybody, from the roots of American music. Contains twelve Blues, Rockabilly, Rock'n'Roll, Boogie Woogie, Zydeco and Country tunes that'll get you rocking, stompin' and swinging!Daryl Davis earned his Bachelor of Music degree from Howard University, where he was a member of their famed Howard University Choir and renowned Jazz Vocal Ensemble. In addition to being a vocalist, guitarist, composer and keyboard extraordinaire, Daryl is a professional actor and author. This CD presents Daryl's ability to feature the piano within many forms of American Roots music. – by cdUniverse

Miles Davis Quintet - Amsterdam Concert (1957) [Lone Hill Jazz, LHJ10141] (speed corrected)
1CD | FLAC (IMG) | Cue, no log | ffp, md5 | Full HQ Art (PNG, 300dpi) | 313MB (3% rec)
Lone Hill Jazz LHJ10141, unofficial

"Amsterdam Concert" is a rare live Miles Davis recording from 1957. This album, one of the least known recordings of Miles Davis, was recorded at the Concertgebouw in Amsterdam on December 8, 1957, a couple of days after the recording of the movie soundtrack "Ascenseur pour l'échafaud." On this concert, Miles didn't play with his regular quintet, but with the same line-up he used for the recording of "Ascenseur pour l'échafaud." It features Barney Wilen on tenor saxophone, René Urtreger on piano, Pierre Michelot on bass and Kenny Clarke on drums.