Road

Much more of a collaboration here than on their previous effort, John and Beverley Martyn continue on their way through the British folk-jazz of the '70s. Flowing with a subtle improvisation that incorporated a greater ethnic feeling, Road to Ruin makes for enjoyable listening indeed. Good singing and playing make this a great album to sit back and reflect upon.

Mother Road, the new album from acclaimed singer, songwriter, and multi-instrumentalist, Grace Potter is an audacious and heart-pounding map of the soul. Composed over a two-year span driving back and forth alone across America during the pandemic, on Mother Road, Grace deconstructs her deepest fears and darkest regrets, charting the fallout with brutal honesty and emotional daring. While grappling with demons can often be a rough ride, Grace navigates it all with imagination and unabashed joy.

Few bands in the history of heavy metal are as road-tested as Motörhead. Since the mid-'70s, Lemmy Kilmister and whoever else was man enough to join the band's ranks have been tearing it up on the road, and are responsible for one of rock's greatest live albums of all time, 1981's No Sleep 'Til Hammersmith. As its title states, the double-disc set Keep Us on the Road: Live 1977 captures Motörhead early on – including their classic lineup of singer/bassist Kilmister, guitarist Fast Eddie Clarke, and drummer Phil "Philthy Animal" Taylor…

Chris Rea’s eighties and early nineties gear has been expanded and remastered for release this October. The albums – Shamrock Diaries (1985), On the Beach (1986), Dancing With Strangers (1987), The Road to Hell (1989) and Auberge (1991) span Rea’s commercial peak and are to be reissued as deluxe double CD sets. They will also be accessorised with period appropriate ‘additional recordings’ such as remixes, non-album and live tracks, all newly remastered.

One of those uniquely '70s groups, Middle of the Road were a Scottish pop vocal group whose singles "Chirpy Chirpy Cheep Cheep," "Tweedle Dee Tweedle Dum," and "Soley Soley" were huge European hits, selling in the tens of millions. Formed by Sally Carr (vocals), Ian McCredie (guitar), Eric McCredie (bass), and drummer Ken Andrew in 1970 (the group had been playing together since 1967, but under the moniker of "Part Three") Middle of the Road had trouble finding success until they uprooted from the United Kingdom and settled in Italy.

The Road is a concept album about relationships, addictions, and the struggles of modern day life. The style of music is a mix of modern/pyscedelic/classic rock and blues…

Two artists had an enormous impact on Eric Clapton's music in the '70s: Delaney & Bonnie and J.J. Cale. Clapton joined Delaney & Bonnie's backing band after Cream dissolved, an experience that helped him ease away from the bombast of the power trio and into the blend of soul, blues, pop, and rock that defined his solo sound. Delaney Bramlett helped steer Clapton's eponymous 1970 solo debut, which not only came very close to replicating the sound of Delaney & Bonnie's records from that time, but also had a rollicking version of J.J. Cale's "After Midnight" that was Clapton's first solo hit…

Rockets were a French space rock band that formed in Paris in 1974. Some of the former members had played together since 1970 in a local band called Crystal. In their most successful era (1977–1982) the line-up comprised vocalist Christian Le Bartz, bassist and vocalist "Little" Gérard L'Her, guitarist and keyboardist Alain Maratrat, drummer and percussionist Alain Groetzinger, and keyboardist Fabrice Quagliotti…