Roberts Slow

Donald Byrd - Thank You … For F.U.M.L. (Funking Up My Life) (1978) {Elektra Masters 75596 2720-2 rel 2002)
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© 1978, 2002 Elektra/Asylum Records / Warner Jazz | 75596 2720-2
Jazz / Jazz Funk / Crossover Jazz / Soul Jazz / Trumpet

A post-Blue Note effort, and Donald's changing things up a bit with his 125th Street Orchestra and Uptown Singers – funking along in a way you'd expect from the longwinded title! Byrd loostens up the smoother backgrounds of his recent Larry Mizell helmed work, and in their place are grooves that have more of a heavy slap bass sound, punchier horns and guitars!

This glorious 10-CD box set contains 250 original Rockabilly recordings featuring Jonny Cash, Carl Phillips, Johnny Horton, Marty Robbins, Tennessee Ernie Ford, Hank Thompson, Faron Young, Bill Haley & The Saddlemen and many others. All the tracks were recorded between 1947 and 1960 but with the vast majority coming from the 1950's.

By 1976 Neil Young had already created a body of work that most songwriters would cut off both arms and legs to have composed. But Young had merely completed another phase of his career and was ready to start the next. This film tells the story and reviews the music of Neil from the release of his stunning Zuma album at the end of 1975 up to the release of the well received Prairie Wind in 2005 - a 30 year period during which this maverick musician covered just about every style in existence.

Initially stationed in England for the Air Force during the early '60s, American soul shouter Geno Washington fronted a British group known as the Ram Jam Band for a series of moderate U.K. chart hits during 1966-1967. Though he was born in Indiana, Washington had the grit of a deep soul testifier like Wilson Pickett or Don Covay. While stationed in East Anglia, Washington became known as a frequent stand-in at gigs around London. When guitarist Pete Gage saw him at a club in 1965, he asked Washington to join his new group with bassist John Roberts, drummer Herb Prestige, organist Jeff Wright, Lionel Kingham on tenor sax, and Buddy Beadle on baritone.

George Duke says he “stretched a little more into the funk area on this one because I had so many people ask me to.” Think he’s kidding? The first half of Is Love Enough?, which is much more like his previous Warner Bros. albums Snapshot and Illusions than last year’s Muir Woods Suite, is heavy on the funk and slow jams.