Roberts Slow

Rockabilly may have slipped under the radar of many mainstream music fans, and its impact on the charts was occasional, to say the least. But there’s no doubt the music those Fifties pioneers made remains more than recognisable today. The words didn’t always make sense, but the music was the message, and it was aimed straight at the feet. So get your cat clothes on, brush up your leather jacket and rock!

After Neil Young left the California folk-rock band Buffalo Springfield in 1968, he slowly established himself as one of the most influential and idiosyncratic singer/songwriters of his generation. Young's body of work ranks second only to Bob Dylan in terms of depth, and he was able to sustain his critical reputation, as well as record sales, for a longer period of time than Dylan, partially because of his willfully perverse work ethic…

After Neil Young left the California folk-rock band Buffalo Springfield in 1968, he slowly established himself as one of the most influential and idiosyncratic singer/songwriters of his generation. Young's body of work ranks second only to Bob Dylan in terms of depth, and he was able to sustain his critical reputation, as well as record sales, for a longer period of time than Dylan, partially because of his willfully perverse work ethic…

10-CD box set that contains 250 original Rockabilly recordings. Featuring Jonny Cash, Carl Phillips, Johnny Horton, Marty Robbins, Tennessee Ernie Ford, Hank Thompson, Faron Young, Bill Haley & The Saddlemen and many others. All the tracks were recorded between 1947 and 1960 but with the vast majority coming from the 1950's.

One of the most hotly awaited second albums in history – right up there with those by the Beatles and the Band – Déjà Vu lived up to its expectations and rose to number one on the charts.

Not too many years ago it seemed that the art of the male jazz vocalist was heading in the same direction as black and white televisions and 8-track cartridges. One or two notable voices kept the flame alive, but new, young, vocal talent wasn't emerging. Then it started: a slow process, but new male singers began to appear. In the UK the most obvious example of the new breed is the million-selling Jamie Cullum. Anthony Strong's performance on Stepping Out suggests that there's a contender for Cullum's crown.

Which Chuck E. Weiss do we talk about here? The one who so impressed blues legends Lightnin Hopkins and Willie Dixon as a Denver teenager that they took him out in their road bands? The one who lived in LA's Tropicana Hotel in the 70s alongside Tom Waits and Rickie Lee Jones, ending up namechecked on the classic Waits albums Small Change and Nighthawks at the Diner, and in Rickie Lee Jones hit "Chuck E.'s in Love"? The one who has recorded with Tom Waits, Muddy Waters, Howlin Wolf, Roger Miller, Dr. John, Willie Dixon? Whichever Chuck E. Weiss you choose, he's a legend, and his 2014 album, Red Beans and Weiss, delivers on the big personality. Executive produced by Johnny Depp and Tom Waits, Red Beans and Weiss blends blues, barrelhouse, and bluster into a highly entertaining whole.

A power station
Many see this as a disappointing album by Yes, and its easy to understand why. The music is far removed from "Close to the edge", "Fragile" etc,. In place of the lengthy prog compositions we have an almost AOR sound, closer to the music of say Styx or Toto.