Rock And New Wave

Joe Jackson - Live At Rockpalast (1980, 1983) [2xDVD] {2012 MIG Music Edition}
2xDVD9 -> 14.3 Gb | All Regions | NTSC 4:3 | ~ 266 min | Dolby AC3, 2 ch / LPCM, 2 ch / Dolby AC3, 6 ch | ISO Images
Full Artwork @ 300 dpi (png) -> 87 Mb | 5% repair rar
© 2012 MIG Music / WDR | MIG 90447 2DVD
Rock / New Wave / Alternative / New Wave Punk

2 DVD set of Joe Jackson's 1980 and 1983 (three separate concerts!) performances on German TV. The first ""Rockpalast"" performance in March 1980 features Jackson and band performing songs from his new wave punk era as well as hints of things to come. The 1983 shows focus on his classic album ""Night and Day"" and its jazz, pop sound as well as revisiting his previous hits. Top notch songwriting and performances. Joe Jackson (born David Ian Jackson, 11 August 1954) is an English musician and singer-songwriter now living in Berlin, whose five Grammy Award nominations span from 1979 to 2001. He is probably best known for the 1979 hit song and first single "Is She Really Going Out with Him?", which still gets extensive US FM radio airplay; for his 1982 Top 10 hit, "Steppin' Out"; and for his 1984 success with "You Can't Get What You Want (Till You Know What You Want)". He was popular for his pop/rock and New Wave music early on before moving to more eclectic, though less commercially successful, pop/jazz/classical hybrids. Joe Jackson has been nominated for induction into the Rock & Roll Hall Of Fame numerous times.

As the post-punk dust began to settle, a particular strand of artist began applying a knowingly distant, colder aesthetic to their work. While much of the scene began to be dominated by bigger budget, commercially minded former punk and new wave acts, a darker undercurrent did survive, often more interesting, more dangerous and sexier than anything that could be heard on Top Of The Pops at the time. The first generation of the darkwave movement consisted of bands that were equally influenced by the fractured drama of Depeche Mode, Siouxsie & the Banshees and The Cure as they were by the art damaged experimentation of Cabaret Voltaire, Wire and Throbbing Gristle, always rich in Gothic spirt, societal displacement, urban isolation and sexual energy.