This new Ondine release by Danish-born recorder player Bolette Roed includes the music of Johann Sebastian Bach arranged for solo recorder. The works were arranged by Frans Brüggen (1934–2014), a famous Dutch recorder player and conductor, and one of the greatest exponents of the movement of historically informed performance practice. With the exception of his Partita BWV 1013, Bach wrote relatively few works for the recorder. However, composers like Bach and Vivaldi did themselves arrange many of their works for different instruments. From this point of view the work of arranging Bach’s solo cello and violin pieces for recorder is something that Bach himself could have done, had he been inspired by a talented recorder player at the time of composition.
Recorder player Bolette Roed and Arte dei Suonatori present Vivaldi’s famous violin concertos, “The Four Seasons”, combined with other concertos that share a kinship with them, resulting in Vivaldi’s Seasons; a programme consisting of sixteen concertos, four for each season, including favourites such as Il rosignuolo and l’Amoroso. Roed’s use of the recorder in place of the violin brings a unique sound to these works, whilst simultaneously expanding the recorder repertoire. Bolette Roed is one of the most in-demand recorder players of Europe. After having released Telemann’s Garden with the Elephant House Quartet in 2019, she now extends her PENTATONE discography with this solo album. The players of Arte dei Suonatori make their PENTATONE debut, while their leader Aureliusz Goliński already featured on Telemann’s Garden.
Many important Baroque composers and their music found their way to Denmark – thanks not least to the music-loving King Frederik IV. This CD presents a unique musical panorama of the King's court music and combines concertos by Christoph Graupner, Johann Adolph Scheibe and Johann Gottlieb Graun with newly discovered dance music for the King’s daughter, Princess Charlotte Amalie, reconstructed for this world premiere recording by Danish recorder virtuoso Bolette Roed and the Polish Baroque ensemble Arte dei Suonatori.
Johann Joachim Quantz, in his handbook for transverse flute written in 1752, wrote of the composer Georg Philipp Telemann: “I wish to especially recommend Telemann’s trios written in the French style, many of which he had already fashioned thirty or more years ago.” Georg Philipp Telemann not only gained the admiration of Quantz, but his pieces are still frequently performed and recorded today. For this album, his Concerto di camera in G minor, Double Concertos in A minor and E minor, and Suite in A minor have been recorded. Performing these timeless works are three outstanding period instrumentalists, Bolette Roed, Reiko Ichise, and Alexis Kossenko.
Having recently appeared on Mosambique's "Big City Moves", Lyder Øvreås Røed returns to Jazzland with his own project, a melodic foray into a different species of jazz. Filled with late night, dark side of the mood compositions, alongside hot urban swing and summer day brightness, performed with hair's-breadth-perfect interplay.