If ever there were a record that both fit perfectly and stood outside the CTI Records' stable sound, it is Sugar by Stanley Turrentine. Recorded in 1970, only three tracks appear on the original album (on the reissue there's a bonus live version of the title track, which nearly outshines the original and is 50 percent longer). Turrentine, a veteran of the soul-jazz scene since the '50s, was accompanied by a who's who of groove players, including guitarist George Benson, Lonnie Liston Smith on electric piano, Freddie Hubbard on trumpet, bassist Ron Carter, organist Butch Cornell, and drummer Billy Kaye, among others.
Ornette Coleman's first album in several years and first recording for a major label in quite some time features his 1995 version of Prime Time with two guitars, two bassists, son Denardo Coleman on drums and Badal Roy on tables and percussion. In addition the band includes Dave Bryant, Coleman's first keyboardist in decades (although his part is actually fairly minor). The ensembles are funky and quite dense, Coleman really wails on alto (also playing a bit of violin and trumpet) and, despite the inclusion of one obnoxious rap, this free funk set is well worth picking up by open-minded listeners.
Silky Soul is the seventh studio album and ninth overall album by Bay Area-based R&B group Maze. Released in 1989 on Warner Bros. Records.
's 1983 albums, both released while the singer was with , are combined on this reissue from 's label. , a number six hit produced with , is one of her best albums. It contains two of her bigger hits: the upbeat pop-funk title track and the quiet storm favorite 's once again prominent on , which wasn't nearly as major. Although it reached number 20 on the chart, the material let her down. The most notable number is the ballad
Representing much of the group's output for the year 1969, the two albums show the group advancing in the face of adversity - Paul Williams, who had been very much the Temptations' sparkplug in its earlier years, was in declining health, and music was changing around the group, almost faster than a lot of soul artists of the era could keep up with. This remastered collection is a reminder, even better than the Emperors Of Soul box, of precisely how ambitious and urgent the Temptations' music became in response, and how the group and producer Norman Whitfield helped expand and change soul music's boundaries in the process.
Look Out For #1 is the debut album by the Los Angeles, California-based duo Brothers Johnson released in 1976. The album reached number one on the R&B albums chart and number three on the jazz albums chart in the United States.