Rush

On 1977's A Farewell to Kings it quickly becomes apparent that Rush had improved their songwriting and strengthened their focus and musical approach. Synthesizers also mark their first prominent appearance on a Rush album, a direction the band would continue to pursue on future releases…

Jennifer Rush is the debut studio album by American singer Jennifer Rush, originally released on March 2, 1984. The album was commercially successful across Europe, reaching the top 10 in many countries, including Germany, where it spent 97 weeks on the chart…

The set encompasses the Abbey Road Mastering Studios 2015 remastered edition of the album for the first time on CD; a complete Rush concert recorded in February 1978 at London’s Hammersmith Odeon, newly mixed by longtime Rush engineer and original A Farewell to Kings producer Terry Brown from the multi-track live tapes; four newly-recorded cover versions of songs from the original album by Dream Theater, Big Wreck, The Trews and Alain Johannes; and an instrumental studio outtake of the spacey sound effects the band has creatively titled “Cygnus X-2 Eh."
On 1977's A Farewell to Kings it quickly becomes apparent that Rush had improved their songwriting and strengthened their focus and musical approach. Synthesizers also mark their first prominent appearance on a Rush album, a direction the band would continue to pursue on future releases…

Here we go again! Rush are perhaps the only band that can get away with issuing a studio album and following it up with a live record of the tour for that same album, as is the case here. Is there any band on a major label out there that has as many live records as Rush does? People buy 'em. Lots of people. The reason is that yes, Rush fans are fanatics, and who wouldn't want that in a fan base? The other reason is that they issue new studio recordings so infrequently that fans are grateful to have live offerings documenting a particular tour. Another mystery is how, after 33 years, a band with this kind of longevity manages to stay focused and restless, changing gears and musical approaches to its core sound…

Although Albert King is pictured on the front cover and has the lion's share of tracks on this excellent compilation, six of the fourteen tracks come from Rush's shortlived tenure with the label and are some of his very best. Chronologically, these are his next recordings after the Cobra sides and they carry a lot of the emotional wallop of those tracks, albeit with much loftier production values with much of it recorded in early stereo. Oddly enough, some of the material ("All Your Love," "I'm Satisfied [Keep on Loving Me Baby]") were remakes – albeit great ones – of tunes that Cobra had already released as singles! But Rush's performance of "So Many Roads" (featuring one of the greatest slow blues guitar solos of all time) should not be missed at any cost.