"Even though Stefan Blunier's 2011 recording of Anton Bruckner's Symphony No. 8 in C minor is a lot to digest, timed at over 88 minutes and stretched almost to the breaking point, this is a deeply compelling performance and an impressive recording that deserves all the time listeners devote to it. (…) MDG's natural, unprocessed sound is a great aid to capturing the orchestra's subtle dynamics, and the live recording has very few extraneous sounds. Highly recommended." ~AMG
"Even though Stefan Blunier's 2011 recording of Anton Bruckner's Symphony No. 8 in C minor is a lot to digest, timed at over 88 minutes and stretched almost to the breaking point, this is a deeply compelling performance and an impressive recording that deserves all the time listeners devote to it. (…) MDG's natural, unprocessed sound is a great aid to capturing the orchestra's subtle dynamics, and the live recording has very few extraneous sounds. Highly recommended." ~AMG
"…Now, I will speak briefly about this SACD, because I cannot say anything more than this: it is a miracle. The way EMI remastered these old takes from 1961 and 1963 is astonishing. I am not saying that this SACD will sound as perfect as a new production, but… what levels of mastery had those technicians in the past that used to edit the tape sometimes cutting it with razor blades.
Not to tell the clarity that Schuricht gives to the music. He is probably an old fashioned conductor for nowadays standards, as we can say about Furtwängler, Klemperer or Jochum, for example. But those good old days gave us lots of great musicians that are now a source of inspiration for the new stars…" ~SA-CD.net
…The LSO play with their customary precision and refinement, which goes a long way in music that can often be so ethereal and uplifting as Bruckner's. And when the orchestra get a chance to come into full bloom in the biggest crescendos and fortissimos, they sound wonderful, especially with Haitink guiding them so evenhandedly…
"…A box set of the entire cycle was issued at around the same time as this release. Although Bosch’s fast tempos might make some of the individual movements less attractive, I suspect that, in its entirety, the cycle will be well worthwhile, especially for the sheer drama he draws from this music, the quality of the orchestra, and of the recorded soundscape, both from the acoustic itself and the SACD engineering. Of the individual discs, the early symphonies deserve the highest recommendation, the Second Symphony in particular, but also this, although chiefly for the Zero Symphony, by far the finest of the two compositions on the disc." ~Fanfare
…The present recording proposes his Mass N°2 in E minor in its 1882 revised form, as well as the Motets. Marcus Creed, who has also recorded extraordinary versions of Brahms’ choral works, once again delights us. The perfect tonal balance the Vokalensemble of Stuttgart radiates is a marvel at every moment. Bruckner’s sacred music thereby seems eternal. Here is a Super Audio CD of rare musical pertinence: a summit.
…The rich & real tone of the string section(s) is fantastic. The famous Scherzo that follows is brought almost like a chamber music piece. (…) The tension need to unload in this final movement and it does. Like Haitink, Jansons is at his best in great architectural pieces and this recording is proof of that. So far my best 4th on SACD.
"…Still, the 1962 is not first rank for todays standards but is very good for the period. Recommended." ~sa-cd.net
"This SACD is an essential purchase for Bruckner aficionados, as not only does it contain an eloquent performance of Bruckner’s early D minor Symphony WAB 100 (Nullte) in superb sound, but also some other rare orchestral music by the same composer. (…) Strongly recommended." 5/5 ~SA-CD.net
"This SACD is an essential purchase for Bruckner aficionados, as not only does it contain an eloquent performance of Bruckner’s early D minor Symphony WAB 100 (Nullte) in superb sound, but also some other rare orchestral music by the same composer. (…) Strongly recommended." 5/5 ~SA-CD.net