Saga's 1995 release sets a turning point in the band's sound. It's the middle 90s with grunge and alternative metal as the main players in the world of music. By the end of the 80's Saga decided to change their sound to a more radio-friendly pop/rock sound; that endured right until 1995, when the band decided to make this extraordinary conceptual and progressive rock album.
Saga's Silent Knight was released just prior to the Canadian quintet's breakthrough album Worlds Apart. Drawing inspiration from Rush, Genesis, and other '70s progressive rock artists, Saga distills their influences through fairly concise song structures that never sound too indulgent — sort of like what Asia was doing around the same time (but better). Still, there's plenty of evidence of the group's virtuosity here. Although Silent Knight sounds dated, and even a little quaint at times (due in part to the production), Saga would improve its sound and material immeasurably on the next couple of albums. /AMG/
Released in 1993, The Security of Illusion signaled a rebirth of sorts for Canadian prog rock popsters Saga, as earlier members Jim Gilmour (keyboards) and Steve Negus (drums) were welcomed back into the fold – for the first time since 1985's Behaviour…
This 98-minute documentary, written, produced, and directed by Adele Schmidt and José Zegarra Holder of the Washington, D.C. area's Zeitgeist Media, begins and ends at the 2011 Rock in Opposition festival in Carmaux, France, and between those two bookends tells the story of this idiosyncratic movement – or style, or whatever you want to call it – that was birthed in the late '70s and has against all odds persisted on and off to the present day…
Generation 13' is Saga's top achievement: after a not so impressive return to the music arena in the early 90s, with two albums that simply had some interesting moments, 'Generation 13' showed a band that decided to challenge itself massively…