Saga have had their share of lineup changes along the way; one of the most talked about came in late 2007, when longtime frontman Michael Sadler left the band (Rob Moratti was hired as a replacement the following year). Sadler had been Saga's lead singer from the beginning; he was around back when the Canadian prog rockers were still calling themselves Pockets (which was also the name of an Earth, Wind & Fire-ish soul-funk band that recorded three LPs for Columbia in the late '70s), and his departure came after no less than 30 years with the band. Documenting a 2007 show in Munich, Germany, Contact: Live in Munich was recorded/filmed during Sadler's final tour with Saga…
The last great album with that Saga sound(and 1993's _Security Of Illusion_). Considering this followed the stinker _Wildest Dreams_, this album is a return to form and stands alongside other Saga greats like Heads Or Tales, Behaviour and Worlds Apart. What's most impressive on this is an aggressive Ian Crichton guitar sound…
Adele Schmidt and Jose Zegarra Holder have released a 95 minutes documentary that features several prog rock bands and label/studio owners. This is not so much a story of current progressive rock, as it a small survey of several bands and the USA North East coast fests…
Progdocs third documentary film on the progressive music scene hits the motherload focussing on the very start of it all. The so-called Canterbury Scene started with The Wilde Flowers, a nascent version of Soft Machine and to some extent precursor of Caravan too…
A superb debut album from Saga; Prog-rockers with a melodic vein of songwriting already fully formed, and a vocalist possessing a velvety yet urgent and powerful voice…