Santana was still a respected rock veteran in 1999, but it had been years since he had a hit, even if he continued to fare well on the concert circuits. Clive Davis, the man who had signed Santana to Columbia in 1968, offered him the opportunity to set up shop at his label, Arista. In the tradition of comebacks and label debuts by veteran artists in the '90s, Supernatural, Santana's first effort for Arista, is designed as a star-studded event. At first listen, there doesn't seem to be a track that doesn't have a guest star, which brings up the primary problem with the album - despite several interesting or excellent moments, it never develops a consistent voice that holds the album together. The fault doesn't lay with the guest stars or even with Santana, who continues to turn in fine performances. There's just a general directionless feeling to the record, enhanced by several songs that seem like excuses for jams…
Supernatural is the seventeenth album by Santana, released in 1999. It went 15 times platinum in the US and won nine Grammy Awards, including Album of the Year as well as three Latin Grammy Awards including Record of the Year. The album, conceived by Clive Davis and A&R'd by Pete Ganbarg, was a major global hit, eventually selling more than 30 million copies. It is the most successful album by Santana, hitting the number one spot in ten countries, including the United States. It is also the highest selling album of original material released by any artist who had already been inducted into the Rock and Roll Hall of Fame prior to its release and second highest selling overall behind The Beatles compilation album 1. Among the other guest artists are Eric Clapton, Eagle-Eye Cherry, Lauryn Hill, Dave Matthews, Maná and Cee-Lo Green.
One of the defining and most critically acclaimed albums of the '90s, Supernatural was the record which brought Santana to the spotlight of a new generation of fans. Joined by Rob Thomas, Dave Matthews, Everlast, Lauryn Hill, Eric Clapton, Wyclef Jean and others, Supernatural set the standard for contemporary pop and rock records moving into the new millennium.
Santana was still a respected rock veteran in 1999, but it had been years since he had a hit, even if he continued to fare well on the concert circuits. Clive Davis, the man who had signed Santana to Columbia in 1968, offered him the opportunity to set up shop at his label, Arista. In the tradition of comebacks and label debuts by veteran artists in the '90s, Supernatural, Santana's first effort for Arista, is designed as a star-studded event…
Shaman is the nineteenth studio album by Santana. Shaman was released on October 22, 2002 and debuted at number 1 on the Billboard 200. It was certified Double Platinum in US. The first single of the album was "The Game of Love", featuring Michelle Branch. "Why Don't You & I", featuring Chad Kroeger of Nickelback, was also re-recorded as a single in 2003, which featured Alex Band of The Calling. Like the previous album, Supernatural, Shaman features various famous rock, hip hop, and pop artists, as well as Spanish opera star, Plácido Domingo. The album is currently Santana's longest studio release to date. The International Version (outside the U.S.) drops the track "Since Supernatural", shuffles the remaining tracks, and includes the song "Let Me Love You Tonight".
The third time around is not a charm for Carlos Santana, who delivers his third straight star-studded, middle-of-the-road pop album in a row with 2005's All That I Am. Like 2002's Shaman, this follows the blueprint that producer/record mogul Clive Davis laid down on 1999's Supernatural, which means that apart from a cut or two, Santana functions as a supporting musician to a parade of guest stars singing pop songs on his own album. On Supernatural this worked not just because it was a relatively fresh concept that revitalized Santana, but because the guest stars were well chosen and the material was sharp, commercial, and memorable. Shaman was more uneven but it did have one great single in "The Game of Love," a song penned by professional songwriters and sung by Michelle Branch - it didn't sound much like Santana, but it did make for excellent listening on adult contemporary radio…
Arriving at the twilight of the 1960s, Santana were psychedelic pioneers who ushered Latin rock into the mainstream with their first three albums: Santana, Abraxas, and Santana III. Thanks to their appearance at Woodstock, their eponymous album was a smash hit right out of the gate, with its single "Evil Ways" making it into the Billboard Top Ten in 1969. They remained at the top of the charts until 1973, when leader and namesake guitarist Carlos Santana began exploring esoteric, spiritual jazz fusion on his own.