Saturday Night is

The very successful 'Maestro' compilation features 29 tracks from the likes of Donald Byrd, St. Germain, Horace Silver, Lonnie Smith, Dianne Reeves, Ronny Jordan, Nancy Wilson, Eddie Palmieri, a Taste of Honey and more. The first disc contains 14 funky, intoxicating beats to prepare you for a long night out. The second disc is filled with 15 soothing yet sexy tunes for a joyful morning after.

Remember Shakti - Saturday Night In Bombay (ft. John McLaughlin) (2001) {Verve}
EAC rip (secure mode) | FLAC+CUE+LOG -> 370 Mb| MP3 @320 -> 148 Mb
Full Artwork @ 300 dpi (jpg) -> 36 Mb
© 2001 Verve / Universal | 014 164-2
Jazz / Post Bop / Fusion / World Fusion

SATURDAY NIGHT IN BOMBAY was nominated for the 2002 Grammy Award for Best World Music Album.
John McLaughlin brought his revived Indo-jazz project Shakti to Bombay (Mumbai) in late 2000, and the result is this live disc, which features ly four compositions but runs over an hour in length. (The title is a deliberate play on 1980's Friday Night in San Francisco.) McLaughlin's electric guitar and Zakir Hussain's tabla remain at the core of the group's sound. U. Shrinivas (on mandolin) and V. Selvaganesh (on kanjira, ghatam, and mridangam, all Indian percussion instruments) remain from the previous album, but there are also a number of Indian guest musicians, giving the music many added dimensions.

Soundtrack of 'Saturday Night Fever' (1977), who came to achieve 15 times platinum in USA and in those years to be the best selling film music of all time. The 'Bee Gees' were preparing a new studio album for which had about five original songs, which proved to be right for the start of the soundtrack, who played the first 4 themselves, while the fifth,' If I Can not Have You ", was recorded by Yvonne Elliman. Along with those songs added two other previously released their own songs, "Jive Talkin 'and' You Should Be Dancing '. The rest of the music of the film are outstanding songs written and adapted by musician David Shire, which makes loans of three of them.

Highlife Saturday Night captures the vibrancy of Saturday nights in Ghana—when musicians took to the stage and dancers took to the floor—in this penetrating look at musical leisure during a time of social, political, and cultural change. Framing dance band "highlife" music as a central medium through which Ghanaians negotiated gendered and generational social relations, Nate Plageman shows how popular music was central to the rhythm of daily life in a West African nation. He traces the history of highlife in urban Ghana during much of the 20th century and documents a range of figures that fueled the music’s emergence, evolution, and explosive popularity. This book is generously enhanced by audiovisual material on the Ethnomusicology Multimedia website.