Gidon Kremer, instead of coupling the Shostakovich Second Concerto with its natural partner, No. 1, enterprisingly chooses a concerto which Shostakovich labelled as his own Op. 129, but which in fact confusingly enough is Schumann's Op. 129. This is a novelty on two counts. Not only does it bring us Shostakovich's orchestration of the work, aiming to improve on Schumann's own, but for the first time to my knowledge puts on disc Schumann's violin version of his cello concerto. Shostakovich's aim in renovating the orchestration with changes predominating in the tuttis was to improve the work for his protege, Rostropovich.
Jacqueline du Pré was recognized during her brief prime as one of the supreme cellists of the 20th century, with an intense commitment and a well-honed technical mastery to back up her heaven-sent talents. She seemed to inhabit every piece she played and the public responded joyfully to her interpretations of such concertos as the Elgar and the Schumann, as well as the sonatas of Beethoven, Brahms, Franck et al. She was also at the centre of an extraordinary group of young friends who set the classical musical agenda for the 1960s. The way her career was snatched away from her by a remorseless illness, leading to her early death, has inevitably cast a romantic glow over her life story. So it is salutary to visit or revisit this treasury of her recordings - almost all of them painstakingly remastered from the original tapes, and including previously unissued performances - and remind ourselves just how great she was.
The complete edition of Robert Schumann's symphonic works with the WDR Symphony Orchestra Cologne under Heinz Holliger is now available as a 6 album set.
Conductor Wilhelm Furtwangler already enjoyed a worldwide legendary standing during his lifetime - he was considered the German conductor and performances were greeted with rapturous applause. Today, more than 50 years after his death, Wilhelm Furtwangler is still an icon and his work has become an integral part ofthe music scene.
Never before have all Arthur Rubinstein albums been available together like this. Arthur Rubinstein – The Complete Album Collection features all of the legendary pianist’s issued recordings made by RCA Victor between 1940 and 1976, plus one recording issued on the DECCA label in 1978. Also included in this set are the recordings Rubinstein made in England for the His Master’s Voice (HMV) label between 1928 and 1940. As a bonus, this special package also has the sensational world-premiere release of two Carnegie Hall concerts recorded on December 8 and 10, 1961.