Scott Long

Jimmy Scott (born July 17, 1925), aka "Little" Jimmy Scott, is an American jazz vocalist.

Scott has Kallmann's syndrome, a genetic condition. The condition stunted his growth at four feet eleven inches until, at age 37, he grew another 8 inches to the height of five foot seven inches. The condition prevented him from reaching puberty, leaving him with a high, undeveloped voice in the contralto range, hence his nickname "Little" Jimmy Scott.(Wiki)

The best man at Scott (Long) and Kristin's (Weixler) Arizona destination wedding, Lumpy (Labine) is the life of the party, until a long, indulgent night leads to his untimely death. Forced to cancel their honeymoon and fly back to Minneapolis to arrange for his funeral, Scott and Kristin meet Ramsey (Timlin) and learn that Lumpy isn't quite who they thought he was.

Joshua Redman is joined by drummer Brian Blade, bassist Scott Colley, and trumpeter Ron Miles for Still Dreaming—an album inspired by his father Dewey Redman's 1976–1987 band, Old and New Dreams—due on Nonesuch Records May 25, 2018. Along with the senior Redman, Old and New Dreams featured an all-star lineup of Ornette Coleman collaborators—cornetist Don Cherry, bassist Charlie Haden, and drummer Ed Blackwell—who continued pushing musical boundaries as they had with Coleman even after their former bandleader moved in a new direction. Still Dreaming features six new compositions by the new band as well as one tune by Haden and one from Coleman.

Maxine Sullivan's final concert (although she would record part of her Jule Styne tribute studio album for Atlantic a few months later) is an excellent retrospective of her career. Joined by tenor saxophonist Scott Hamilton's quintet (with pianist John Bunch and guitarist Chris Flory), Sullivan performs for the final time some of her favorite numbers, including nostalgic and near-classic renditions of "As Long as I Live," "I Got a Right to Sing the Blues," "A Hundred Years From Today" and "You're Driving Me Crazy." Ironically, the final song that Maxine Sullivan sang was also the same tune that she had used to start her recording career back in 1937, "Loch Lomond."

The subliminal empathy shared by bassist Scott Colley, saxophonist Chris Potter, and drummer Bill Stewart is masterfully illustrated on Colley’s album, This Place. Colley’s tutelage with Charlie Haden clearly informs his knack for developing warm, simpatico lines that are nearly always melodically astute yet never showy. On originals like his hypnotic title track, Colley can create a simple bass figure that grounds and propels the gorgeous melodies of Potter and the textural and rhythmic splendor of Stewart. Colley’s most sensual performance on this date, however, is his haunting “Long Lake,” where he delivers a heartfelt counter melody beneath Potter’s raspy tenor and Stewart’s shimmering brushes…