Count Basie was undoubtedly one of the most influential bandleaders in jazz history. It seems only logical then that saxophonist Bob Mintzer (who has dedicated most of his career to big-band music) would sooner or later record a tribute to the great father of swing. Joined by many of the top New York City-based jazz players including Pete Yellin on reeds, Scott Wendholt on trumpet, Phil Markowitz on piano, Dennis Irwin on bass, and John Riley on drums, Mintzer and group create a touching homage to the Count. We hear five tunes commonly associated with Basie on this disc. Among them are smart versions of "Cute," "April in Paris," and "Shiny Stockings." In addition, we are treated to three compositions by Mintzer himself, each reflecting the Basie style in one way or another. As a modernist, Mintzer adds a contemporary flair to otherwise classic swing charts such as "Lil' Darling" and "One O'Clock Jump," but it's the spirit of the music, not the harmonic vocabulary, that really matters here. For Basie, the key ingredient was always swing. Thankfully, Mintzer's music and ensemble live up to that great Basie reputation by swinging these charts just right.
Winter Morning Walks is the first partnership between Schneider and Upshaw, bringing together two preeminent figures in jazz and classical music. Schneider has been commissioned to compose for jazz orchestras and artists all over the world, has won two GRAMMY Awards and has been nominated for several more. Writing for TIME Magazine, Terry Teachout said, "To call Schneider the most important woman in jazz is missing the point two ways. She's a major composer-period." Upshaw was also deemed "one of the most consequential performers of our time" by the LA TIMES, is a multiple GRAMMY winner and MacArthur Fellow, and has performed at the Metropolitan Opera over 300 times. In 2004 Schneider pioneered the fan-funding model by becoming the first artist to sign with ArtistShare® to release 'Concert In The Garden,' the first web-exclusive recording to win a GRAMMY.
This big-band date by Bob Mintzer from the early '90s utilizes some of the Big Apple's top available musicians of the era, including trumpeters Marvin Stamm and Randy Brecker, saxophonists Scott Robinson and Roger Rosenberg (both of whom double on clarinet), and pianist Phil Markowitz. Mintzer has moved freely between contemporary and mainstream jazz depending on the record date and personnel, but on this DMP release he incorporates a bit from each style.
Composer/arranger Maria Schneider and her 18-piece orchestra perform a variety of advanced and difficult music on this CD. The centerpiece of the set is her three-part "Scenes from Childhood" which deals with fear, confusion and grudging acceptance; do not look here for any childlike melodies or playfulness. In addition the big band plays a reworked version of "Giant Steps," the "Love Theme from Spartacus," the Spanish-flavored "El Viento" (which is slightly reminiscent of Gil Evans's writing for Sketches of Spain) and "Waxwings."