Complete sets of the Scriabin sonatas are not as unusual as they once were (e.g., Ashkenazy, Laredo, Hamelin, Szidon, Taub, Kasman). Austbo makes his contribution as well. Those who like a more docile timid approach to the sonatas will like Austbo's versions. Even in the fortissimo parts Austbo, at times, seems to play "quietly"; he plays with little volume.
“Several years ago I presented a recording of all piano works with opus numbers by Alexander Scriabin. I rehearsed, played in concerts and then recorded eight CDs, 207 works, and eight hours of music”, notes pianist Maria Lettberg. “Scriabin’s music becomes accessible via a roundabout route but then it gets under your skin and intoxicates you like a drug, makes you euphoric, addicted and…happy.” With the present recording of the early works without opus numbers, she happily completes her mammoth survey of Scriabin.