Flush from the success of "Smokin' in the Boys Room," which climbed all the way to number three on the pop charts, Brownsville Station was eager to keep the party going, deciding the best way to do so was to capitalize on the juvenile delinquent image they captured so perfectly on their big breakthrough. Hence, the title of their quickly released follow-up is School Punks; the illustrated cover pictures the trio all decked out in leather in front of a graffiti-ridden school wall; the opening cut, "Kings of the Party," references the hit; "Meet Me on the Fourth Floor" rewrites it; and "Mama Don't Allow No Parkin'" and "Fast Phyllis" tell similar tales of high-school misadventures.
You can tell that Bootlegged in Japan isn't a bootleg because no intelligent bootleggers would go out of their way to draw attention to the fact that they have manufactured something illegally. Of course, many Napalm Death bootlegs have been sold in the underground market, and this CD came about after members of the influential grindcore/thrash metal band came across bootleg tapes of a 1996 performance in Tokyo. Feeling that a bootleg tape of an August 5, 1996 show at Tokyo's Liquid Room "captured the true uncompromising live spirit of Napalm Death, " the band decided that the recording might as well be sold legally…
Arista had made it clear they would not accept any concept albums from the Kinks, and Sleepwalker, their first effort for the label, makes good on the band's promise. Comprised entirely of glossy arena rockers and power ballads, the album is more of a stylistic exercise than a collection of first-rate songs…
The "Live in Brighton" concert captures the Pretty Things taking us through some of the highlights of their 40-year journey from 60s R&B punks to unrepentant Rock 'n Roll veterans, through psychedelic experimentation and the hard rocking years of the '70s…