Shostakovich

With this latest volume in their ongoing cycle, recorded in 2023, the Quartetto Noûs passes the halfway mark of Shostakovich’s 15 quartets. The previous instalments have been recognised and praised for their full-blooded intensity and uncompromising address to the detail of these absorbing scores.

Chicago-based Cedille label's ambitious "The Soviet Experience" series continues with this set of early Shostakovich string quartets from the 15 years surrounding World War II, along with one unusual Prokofiev quartet of the same period. In addition to reflecting the situations in which he lived, Shostakovich's quartets deal with a different kind of legacy as well: the Beethovenian tradition of the string quartet as it developed through the 19th century and became an outlet for inward emotion refined into well-crafted melody and counterpoint.

This is the last installment of the Pacifica Quartet’s Shostakovich cycle named “The Soviet Experience” because it adds one quartet by other Russian composers (Miaskovsky, Prokofiev, Weinberg, and Schnittke) to each release. Although there are many performances of the complete Shostakovich quartets available, the Pacifica Quartet’s traversal of these masterpieces is one of the best. Their sheer brilliance of execution, the emotional depth of their interpretation and the stunning sound make this a most desirable set……

Robert Moon @ Audiophile Audition

The Mandelring Quartet plays with unflinching resolve, sympathetic expression, incisive attacks, and penetrating tone, which are all necessary in Shostakovich's sardonic and frequently bitter language.

This 2 CD set of Shostakovich's Ballet Suites and film music is a treasure. If you have yet to hear the Ballet Suites, do give this a listen. This is Shostakovich at his most genial and witty. Much credit must be given to the man who compiled and arranged these suites: Levon Atovmyan. Atovmyan is the man responsible for not only arranging these ballet Suites. He also arranged most of Shostakovich's film scores into concert suites. As much as I love Shostakovich's original work, these Atovmyan arrangements are even better. Much of the material used in the Ballet Suites was salvaged from one of Shostakovich's most unipsired works, the ballet The Limpid Stream.

For this, the fifth instalment of his Shostakovich symphony cycle, John Storgrds turns to some of the earliest of the composers orchestral output, works which Shostakovich largely wrote during his student years. The orchestral scherzo was a favourite task set by composition tutors of the time: the relatively simple form still demands that the student produce contrasting material for the outer and central sections, and manage the transitions effectively. Unsurprisingly, the form looms large in the early works of Shostakovich, as well as Stravinsky, Bartk, and many others.

The baritone Matthias Goerne, the Orchestre Philharmonique de Radio France and Mikko Franck launch a trilogy of Shostakovich’s works for baritone and orchestra with a recording of Symphony No.14. This will be followed by Symphony no.13 (Babi Yar ) and the Suite on poems by Michelangelo Buonarroti . The soprano Asmik Grigorian joins Matthias Goerne for this monumental yet highly subtle symphony setting poems by García Lorca, Apollinaire, Küchelbecker and Rilke.