Shostakovich

Born in 1943 in the Latvian capital of Riga, Mariss Jansons grew up in the Soviet Union as the son of conductor Arvid Jansons, studying violin, viola and piano and completing his musical education in conducting with high honours at the Leningrad Conservatory. Further studies followed with Hans Swarovsky in Vienna and Herbert von Karajan in Salzburg. In 1971 he won the conducting competition sponsored by the Karajan Foundation in Berlin. His work was also significantly influenced by the legendary Russian conductor Yevgeny Mravinsky, who engaged Mariss Jansons as his assistant at the Leningrad Philharmonic in 1972. Over the succeeding years Mariss Jansons remained loyal to this orchestra, today renamed the St. Petersburg Philharmonic, as a regular conductor until 1999, conducting the orchestra during that period on tours throughout the world. From 1971 to 2000 he was also professor of conducting at the St. Petersburg Conservatoire.

Born in 1943 in the Latvian capital of Riga, Mariss Jansons grew up in the Soviet Union as the son of conductor Arvid Jansons, studying violin, viola and piano and completing his musical education in conducting with high honours at the Leningrad Conservatory. Further studies followed with Hans Swarovsky in Vienna and Herbert von Karajan in Salzburg. In 1971 he won the conducting competition sponsored by the Karajan Foundation in Berlin. His work was also significantly influenced by the legendary Russian conductor Yevgeny Mravinsky, who engaged Mariss Jansons as his assistant at the Leningrad Philharmonic in 1972. Over the succeeding years Mariss Jansons remained loyal to this orchestra, today renamed the St. Petersburg Philharmonic, as a regular conductor until 1999, conducting the orchestra during that period on tours throughout the world. From 1971 to 2000 he was also professor of conducting at the St. Petersburg Conservatoire.

There's much more to Shostakovich's 24 Preludes and Fugues than meets the eye. Perhaps they make a deceptively arid impression upon casual sight-reading, yet pianists who commit themselves eventually discover far more variety of expression between pieces and consequently give cogent shape to the composer's subtle textural interplay. David Jalbert is both into and on top of these works, both stylistically and pianistically. For example, the E major Prelude stands out for Jalbert's finely honed legato touch and superb timbral integration of registral extremes. In his freely lyrical approach to the D major Prelude, Jalbert's phrasing distinctively characterizes the left-hand lines and right-hand arpeggiated chords. Also notice the pianist's asymmetric, harmonically aware accentuation of the B-flat major Prelude's rapid "flight of the bumble-bee" figurations and his ability to suggest the slower, more severe fugues' bleak sensibility without sounding lugubrious or bland. At the same time, Jalbert's secure technique enables him to wring maximum musical satisfaction from the thornier selections, such as his dashing, playful account of the D-flat major Fugue's quirky cross-rhythms.

Nobody is better suited to undertake such a challenge than Valery Gergiev and his Mariinsky Orchestra. Over a period of a year all 15 Symphonies and 6 Concertos have been recorded at Salle Pleyel in Paris. What an adventure for the artists and the big production team! Never before in the history of television has something like this been undertaken including the very first "Ring" for television at Bayreuth.

A Brilliant Classics debut for one of today’s most accomplished Italian string quartets, in 20th-century masterpieces which make a compelling introduction to the troubled private world of Shostakovich’s chamber music.

Finally, a Shostakovich CD by the Asasello-Quartett! The internationally successful and award-winning ensemble has long been intensively engaged with the 15 works of the great Russian composer and is now embarking on a complete recording. The new GENUIN release of Dmitri Shostakovich’s Quartets Nos. 7 - 13 now kicks off the series. According to the booklet for the production, “Love, death and dearest people – these are the themes of the works heard on this double CD.” And the Asasello-Quartett spans the breadth of interpretation just as broadly as the variety of themes outlined here: with poignancy, elegance, and virtuosity – a whole world of its own!

Completing the 2006 commemorative releases of Shostakovich’s 100th anniversary, Chandos is delighted to announce the complete Shostakovich String Quartet cycle performed by Sorrel Quartet.