Silent Witness

With the dead of a bitter Vermont winter closing in, evil is alive and well . . .

Frank Rath thought he was done with murder when he turned in his detective's badge to become a private investigator and raise a daughter alone. Then the police in his remote rural community of Canaan find an '89 Monte Carlo abandoned by the side of the road, and the beautiful teenage girl who owned the car seems to have disappeared without a trace.

An idyllic white, two-storey, beautiful house in Sweden. Inside, a family has been brutally murdered – mother, father and two young children all shot in broad daylight. And the killer has got away.
Sebastian Bergman has been brought in to solve the crime, but with no credible suspects, he is at a dead end.
Until he discovers that there was a witness to the crime. A young girl who saw it all happen, and she has disappeared.
Bergman has to track the young girl down before it’s too late. But the killer is chasing her too – and he is determined to finish what he started.

Petra von Kant is a successful fashion designer – arrogant, caustic, and self-satisfied. She mistreats Marlene (her secretary, maid, and co-designer). Enter Karin, a 23-year-old beauty who wants to be a model. Petra falls in love with Karin and invites her to move in. The rest of the film deals with the emotions of this affair and its aftermath. Fassbinder tells his story in a series of 5 or 6 long scenes with extended uses of a single camera shot and deep focus.

Acclaimed director Miguel Gomes returns with a sumptuous, eccentric two-part tale centered on Aurora, shown first as an impulsive, cantankerous elderly woman in present-day Lisbon. When Aurora is hospitalized, she sends her neighbor, Pilar, to pass word of her grave condition to Gian Luca, a man of which no one has ever heard her speak. Pilar’s quest to fulfill her friend’s wish transports us to Africa fifty years earlier, before the start of the Portuguese Colonial War. We see Aurora again, this time as the gorgeous, smoldering wife of a wealthy young farmer, involved in a forbidden love affair with Gian Luca, her husband’s best friend. Their moving, poetic tale is conveyed through the older Gian Luca’s suave voiceover, combined with the lush, melodious sounds of its heady, tropical setting, peppered with a soundtrack of Phil Spector songs.

Scotland Yard was perhaps the best-known series to emerge from Anglo-Amalgamated's output of crime drama. Shot as cinema support features at the company's Merton Park Studios in South Wimbledon, these half-hour thrillers - based on real-life cases from the vaults of London's Metropolitan Police headquarters - were a successful regular feature in cinemas over nearly a decade from the early 1950s onwards.