Smetana

Few chamber music groups have as proud a history as the Smetana Quartet, or a history that evokes as much nationalistic passion. Founded during the Nazi occupation of Czechoslovakia, the group's very existence was an anomaly during an era when any manifestation of Czech nationalism was outlawed. They survived into the post-Nazi era, and went on to an acclaimed international performing career, making some of the finest chamber music recordings of the 1950s and 1960s…

Few chamber music groups have as proud a history as the Smetana Quartet, or a history that evokes as much nationalistic passion. Founded during the Nazi occupation of Czechoslovakia, the group's very existence was an anomaly during an era when any manifestation of Czech nationalism was outlawed. They survived into the post-Nazi era, and went on to an acclaimed international performing career, making some of the finest chamber music recordings of the 1950s and 1960s…

Filling a gap in the nineteenth century piano repertoire that many listeners would not have suspected was there, this excellent 2006 disc by English pianist Kathryn Stott of piano music by Bohemian composer Bedrich Smetana admirably serves its purpose. Opening with the half-hour-long, six-movement cycle Dreams and closing with several piquant Czech Dances, the program shows Smetana to have been a composer not only of ethnic creations but of virtuoso piano music in the Liszt mold as well. While there have been other excellent recordings of these works before, they have always been by Czech pianists who seemed to have instinctively grasped the specific rhythmic accent of Smetana's music, and this recording proves that you don't have to be Czech to play Smetana. Stott clearly has the big technique to tackle the extreme difficulties of the Concert Étude in C major and the more extravagantly virtuosic movements of Dreams, but she also has the sensitivity to handle the sweetness of "On the Sea Shore – a memory" and "Faded Happiness" (from Dreams) and the rhythmic verve to dance through the Fantasia on Czech Folksongs and the Czech Dances.

Few chamber music groups have as proud a history as the Smetana Quartet, or a history that evokes as much nationalistic passion. Founded during the Nazi occupation of Czechoslovakia, the group's very existence was an anomaly during an era when any manifestation of Czech nationalism was outlawed. They survived into the post-Nazi era, and went on to an acclaimed international performing career, making some of the finest chamber music recordings of the 1950s and 1960s…

Every true believer in the music of Czech nationalist composer Bedrich Smetana will have to check out this three-disc set of his orchestral works with Vladimir Válek leading the Prague Radio Symphony Orchestra. Not only does it contain Smetana's orchestral masterpiece Má Vlast plus his three fairly well-known tone poems Richard III, Wallenstein's Campo, and Hakon Jarl, it also contains his nearly completely unknown four-movement Triumph Symphony, his almost totally unknown March for Shakespeare, and the Ceremonial Prelude in C major along with three short orchestral dances, the Georginen, the Louisen, and the Our Lasses Polkas.