Smetana was a musician of great talent who, in self-imposed exile from his native Bohemia, taught music and composition in Göteberg, Sweden. Like other Bohemian artists and musicians in the mid of the 19th century, Smetana longed for the day when his native land would be free from the oppression of its Austrian masters. After the Austro-Hungarian Empire granted political sovereignty to Bohemia, Smetana and other Czech composers could finally return to their home- land to create a national cultural identity for the self-governing provinces.
Herbert von Karajan was an Austrian conductor. He was principal conductor of the Berlin Philharmonic for 34 years. During the Nazi era, he debuted at the Salzburg Festival, with the Vienna Philharmonic, the Berlin Philharmonic, and during World War II he conducted at the Berlin State Opera. Generally regarded as one of the greatest conductors of the 20th century, he was a controversial but dominant figure in European classical music from the mid-1950s until his death. Part of the reason for this was the large number of recordings he made and their prominence during his lifetime. By one estimate, he was the top-selling classical music recording artist of all time, having sold an estimated 200 million records.
Herbert von Karajan was an Austrian conductor. He was principal conductor of the Berlin Philharmonic for 34 years. During the Nazi era, he debuted at the Salzburg Festival, with the Vienna Philharmonic, the Berlin Philharmonic, and during World War II he conducted at the Berlin State Opera. Generally regarded as one of the greatest conductors of the 20th century, he was a controversial but dominant figure in European classical music from the mid-1950s until his death. Part of the reason for this was the large number of recordings he made and their prominence during his lifetime. By one estimate, he was the top-selling classical music recording artist of all time, having sold an estimated 200 million records.
The two large-scale works by Dvořák and Smetana are complemented here by the one- movement Elegy, by Josef Suk, Dvořák’s student and later son-in-law. Formed in 2007, the Sitkovetsky Trio performs worldwide and has received numerous awards and critical acclaim, but is here making its début on disc, in a programme perfectly suited to the ensemble’s virtuosic and impassioned music-making.
The Smetana Trio continued its survey of Czech piano trios with this 2007 Supraphon disc coupling works by Antonin Dvorák, Bohuslav Martinu, and Zdenêk Fibich. As with the earlier discs in this series, the Smetana performs with equal measures of independence and interdependence. Each player has his/her own approach to the music and to the instruments. Violinist Jana Vonáskova-Nováková and cellist Jan Pálenícek don't always agree on the size of their vibratos, for example, and pianist Jitka Cechová doesn't always agree with string players on the inflection of rhythmic accents.
Má vlast, also known as My Fatherland, is a set of six symphonic poems composed between 1874 and 1879 by the Czech composer Bedřich Smetana. The six pieces, conceived as individual works, are often presented and recorded as a single work in six movements. They premiered separately between 1875 and 1880. The complete set premiered on 5 November 1882 in Žofín Palace, Prague, under Adolf Čech.
BBC Music Magazine award winners the Dante Quartet return for their third Hyperion recording with the string quartets of Smetana and Sibelius. This group, renowned for their inventive interpretations and sensitive articulation, capture perfectly the expressive intensity of these masterpieces.