After eight albums, the late soprano saxophonist George Howard found a comfortable and solid if slightly predictable niche in the intensifying realm of instrumental R&B. On Love & Understanding, his first original GRP outing (after a re-release of 1985's Dancing in the Sun), he sticks to the basic funk and romance formulas which made him one of the most consistent suppliers of sweet and nasty improvisational soul over the previous half decade.
After a seven year layoff, feisty veteran funkmaster Lorber steps out from the producer's chair with a fun filled all star project. The keyboardist, best known for his fusion years, has been far from idle during that time, producing for pop jazz sax gods Kenny G and Eric Marienthal, and mixing for U2 and Paula Abdul. His latest lives up to its title…though not resoundingly so. As he did with Marienthal's brilliant Oasis, Lorber divides his keyboard time between punchy, soulful rhythms and mellifluous textures that pour on the romance. Easygoing exercises like "Yellowstone" and the Latin tinged "Punta Del Soul" inspire a cool charm, but it's danceable cookers like "High Wire" and "Jazzery" that keep the disc spiraling
It sounds jazzy, lazy, cool and looks extremely good. The CD "jazz lounge" is unique cool jazzy lounge sound fine with: Jazz Brushes, plucked bass, the typical jazz guitar riffs and cool saxophones. 25 tone beads provide over 2 hours jazzy sound food for your CD or MP3 player. Whether on sunset lounge terrace, stylish bar, or fire, so it sounds rrreally smooth. In addition, a non-stop mix by DJ Maretimo. Relax extremely cool… enjoy the finest lounge music in jazz style. Jazz lounge Vol.3, a smooth & jazzy lounge trip. Presented by Jazzy James Jr.
Phenomenal saxophonist Sam Butera and his band The Witnesses backed Louis Prima for almost 20 years. He also made recordings in his own right and two albums from 1960/61 are coupled here. All the excitement and good humour generated on Prima recordings is present with the music becoming even more intensified with Butera in the forefront. Many of these tracks have long been unavailable. Special re-mastered CD edition includes six bonus tracks plus detailed illustrated booklet.
Rhino's fine 16-track collection Used Songs (1973-1980) chronicles Tom Waits' first seven albums, all recorded for Asylum Records. This contains pretty much all his staples from the '70s – "Heartattack and Vine," "Burma Shave," "Ol' 55," "Jersey Girl," "(Looking For) The Heart of Saturday Night," and "Tom Traubert's Blues" among them – sequenced not chronologically, but sequenced for maximum impact. Given the sheer amount of music Waits made for Asylum, it shouldn't be surprising that there are some fan favorites missing, but there are no complaints with what is here, and this provides a near-perfect encapsulation of his pre-Island years, especially for those only familiar with the Island recordings.
Undoubtedly one of the best known sax players in the history of funk, predominantly through his work with James Brown ("Play, Maceo!"), Maceo Parker has had a spotty recorded solo career. His eighth album as a band leader finds the horn honker expanding his palette by aiming his instrument at smooth jazz and rap, while inviting fans Ani DiFranco, James Taylor (?!), and Prince to add superstar spice to his soul stew.