Smooth Sax Romance

Maryland-born saxophonist Kim Waters is a gifted performer known for his romantic, cross-over jazz style. Influenced by both bluesy jazz and soulful R&B, Waters debuted in 1989 with Sweet and Saxy. His next several albums, 1991's Sax Appeal, 1993's Peaceful Journey, and 1994's It's Time for Love, found him moving in a more smooth jazz direction. It was a creative transformation that culminated in 1998's Love's Melody and 1999's One Special Moment. In 2001, Waters delivered From the Heart, his first of several albums on Shanachie Records that included 2002's Someone to Love You, 2004's In the Name of Love, 2007's You Are My Lady, and his 2008 homage to Marvin Gaye, I Want You: Love in the Spirit of Marvin.

Collection includes 3 solo albums by Munich-born and Los Angeles-based jazz composer/guitarist Nils and also includes collaboration album with Gravity 180.

Shakatak hasn't changed their signature style in over 50 albums and that's the reason why their fans stay faithful to this group. On The Corner showcases the core of their charming music. A vocal carrier of the captivating melody flavored with Bill's piano runs.

Maryland-born saxophonist Kim Waters is a gifted performer known for his romantic, cross-over jazz style. Influenced by both bluesy jazz and soulful R&B, Waters debuted in 1989 with Sweet and Saxy. His next several albums, 1991's Sax Appeal, 1993's Peaceful Journey, and 1994's It's Time for Love, found him moving in a more smooth jazz direction. It was a creative transformation that culminated in 1998's Love's Melody and 1999's One Special Moment.

After a seven year layoff, feisty veteran funkmaster Lorber steps out from the producer's chair with a fun filled all star project. The keyboardist, best known for his fusion years, has been far from idle during that time, producing for pop jazz sax gods Kenny G and Eric Marienthal, and mixing for U2 and Paula Abdul. His latest lives up to its title…though not resoundingly so. As he did with Marienthal's brilliant Oasis, Lorber divides his keyboard time between punchy, soulful rhythms and mellifluous textures that pour on the romance. Easygoing exercises like "Yellowstone" and the Latin tinged "Punta Del Soul" inspire a cool charm, but it's danceable cookers like "High Wire" and "Jazzery" that keep the disc spiraling

After eight albums, the late soprano saxophonist George Howard found a comfortable and solid if slightly predictable niche in the intensifying realm of instrumental R&B. On Love & Understanding, his first original GRP outing (after a re-release of 1985's Dancing in the Sun), he sticks to the basic funk and romance formulas which made him one of the most consistent suppliers of sweet and nasty improvisational soul over the previous half decade.

A legend of the tenor saxophone, Stanley Turrentine was renowned for his distinctively thick, rippling tone, an earthy grounding in the blues, and his ability to work a groove with soul and imagination. Turrentine recorded in a wide variety of settings, but was best-known for his Blue Note soul-jazz jams of the '60s, and also underwent a popular fusion makeover in the early '70s. Born in Pittsburgh on April 5, 1934, Turrentine began his career playing with various blues and R&B bands, with a strong influence from Illinois Jacquet. He played in Lowell Fulson's band with Ray Charles from 1950-1951, and in 1953, he replaced John Coltrane in Earl Bostic's early R&B/jazz band.