This archival compilation is a much-needed addendum to John Lurie's recorded legacy. Since being struck with a chronic case of Lyme disease in 2000, the saxophonist and composer has focused more on painting than music. The John Lurie National Orchestra was an early-'90s trio with percussionists G. Calvin Weston and Billy Martin. This group recorded fairly little in the studio, issuing only one album, 1993's Men with Sticks. The title track from that recording is featured and showcases just how fluid and communicative they could be in virtually any circumstance. It's one of the true highlights here, with Lurie's hypnotic alto exploring the subtleties of a melodic idea atop a circular rhythm orgy by Weston and Martin.
On the follow-up to the mind-blowing Spirits Known and Unknown, singer, multi-instrumentalist, arranger, and composer Leon Thomas decided to take a different track. Far from the sparely orchestrated ensembles of the previous works, Thomas loaded this set with jazz luminaries such as Roy Haynes and Billy Cobham, Billy Harper, Donald Smith, James Spaulding, Sonny Morgan, Ernie Royal, and many others as well as a backing chorus of female voices. Side one is the up-tempo jazz ride, as Thomas and company rip through a host of his own tunes, such as the scatted post-bop of "I Am" and the nearly bar-walking blues of "Come Along." But the side is graced by an absolutely stunning read of Milt Jackson's "Bag's Groove," with Harper leading a five-horn section…
On the follow-up to the mind-blowing Spirits Known and Unknown, singer, multi-instrumentalist, arranger, and composer Leon Thomas decided to take a different track. Far from the sparely orchestrated ensembles of the previous works, Thomas loaded this set with jazz luminaries such as Roy Haynes and Billy Cobham, Billy Harper, Donald Smith, James Spaulding, Sonny Morgan, Ernie Royal, and many others as well as a backing chorus of female voices. Side one is the up-tempo jazz ride, as Thomas and company rip through a host of his own tunes, such as the scatted post-bop of "I Am" and the nearly bar-walking blues of "Come Along." But the side is graced by an absolutely stunning read of Milt Jackson's "Bag's Groove," with Harper leading a five-horn section…
Of all the strange records this French vanguard pop chanteuse ever recorded, this 1971 collaboration between the teams of Brigitte Fontaine and her songwriting partner Areski and the Art Ensemble of Chicago - who were beginning to think about returning to the United States after a two-year stay - is the strangest and easily most satisfying. While Fontaine's records could be beguiling with their innovation, they occasionally faltered by erring on the side of gimmickry and cuteness. Here, the Art Ensemble provide the perfect mysterious and ethereal backdrop for her vocal explorations. Featuring the entire Art Ensemble of that time period and including fellow Chicago AACM member Leo Smith on second trumpet, Fontaine and Areski stretched the very notion of what pop had been and could be…
Strut present the definitive edition of Sun Ra’s classic ‘Lanquidity’ album from 1978 with brand new 4LP box set and 2CD editions, featuring the widely distributed version of the album alongside alternative mixes by Bob Blank originally released in limited quantities for a 1978 Arkestra gig at Georgia Tech. Both versions of the album are cut loud at 45 rpm over 2LPs each.