Something Else

Think about this: How would you address a group of two or more people? Would your default terminology be: ”you all,” “yous,” ”you lot,” “you guys,” “you’uns,” “yinz,” “you,” “y’all,” or something else? Would that change depending on whom you were talking to or where you were using it? What do you call a long sandwich that contains cold cuts and vegetables? Is it a “sub,” “grinder,” “hoagie,” “hero,” “poor boy,” “bomber,” “Italian sandwich,” or something else? Your answers can provide revealing insights about who you are, where you grew up or live now, and your social, economic, and educational background.

Think about this: How would you address a group of two or more people? Would your default terminology be: ”you all,” “yous,” ”you lot,” “you guys,” “you’uns,” “yinz,” “you,” “y’all,” or something else? Would that change depending on whom you were talking to or where you were using it? What do you call a long sandwich that contains cold cuts and vegetables? Is it a “sub,” “grinder,” “hoagie,” “hero,” “poor boy,” “bomber,” “Italian sandwich,” or something else? Your answers can provide revealing insights about who you are, where you grew up or live now, and your social, economic, and educational background.

" contains three classic musique concrète compositions from Michel Chion. All were produced at the GRM in Paris (the acousmatic headquarters of the world). The itself is an electronic take on the traditional form. is a ‘technical study’ which takes an original waltz theme and fragments it. is considered a ‘monodrama’ — that is, a drama centering around one ‘character.’ In this case what we hear are the detached reactions of this ‘character’ to a nightmare. It’s French, it’s acousmatic… what more could you ask for?"