If you lived in the UK during the 1970s and 1980s, then you’re almost certainly familiar with the band Hot Chocolate, who were rarely off the UK Singles chart during the former decade and were still making regular appearances in the early part of the latter decade. These days, Hot Chocolate’s career in the US has been simplified by the media to such a degree that you’d be hard pressed to realize that “You Sexy Thing” wasn’t their only big hit. That’s why we’ve taken a look back at BOX SELECTION, a collection of the band’s eight albums on RAK Records, and shined a spotlight on some of the songs that you might’ve forgotten.
While the packaging on this catalog presentation of Hot Chocolate's first eight recordings for RAK is handsome, it is strangely deceptive. Despite the box with photographic representations of all eight covers, the CDs are actually housed in a single four-disc jewel box. As for the music, there is little to argue with. This box contains brand-spanking-new 24-bit remasters of the RAK catalog – a creative, commercially (as well as critically) successful run of hit singles and albums.
After 3 years and over 1 million sales worldwide, the ‘Original Album Series’ continues to offer music lovers the easiest way to get their hands on the catalogue of the world’s biggest artists. Each one houses 5 albums all with their original artwork and music in slipcase form. With near 100 artists available and covering all manner of genres and era’s it’s the most convenient and affordable way to enjoy timeless music! 5CD set, in card LP replica sleeves. Collects "Man To Man" (1976), "Every 1's A Winner" (1978), "Going Through The Motions" (1979), "Class" (1980) and "Mystery" (1982). An interracial English funk and soul group, Hot Chocolate scored a pair of huge hits in the '70s but were otherwise more enthusiastic than skilled.
The Best of Tindersticks '92-'21 maps the band's 30-year journey across a peerless 20-track chronology. "Each step a story," as Staples said on "How He Entered." And every song a fresh twist in a winding tale. It is the sound of an uncommonly ambitious band always seeking new ways to connect with their songs, rediscovering themselves as a unit at every turn so that everything familiar about their music sounds fresh again. Always, of course, by nobody's measure but their own.
Caroline Polachek has already lived an extraordinary life in music: her previous band Chairlift formed in 2006 whilst Caroline was still in art school; and in 2008 the band was thrust into the spotlight when Bruises was synched in an iPod commercial as the Brooklyn indie scene peaked as an international export. Caroline's idiosyncratic vocal style and synth textures quickly became their sonic trademark, and continued to evolve through their three critically acclaimed albums into a new, more modular kind of pop experimentation.
Beat music, British beat, or Merseybeat (after bands from Liverpool and nearby areas beside the River Mersey) is a pop and rock music genre that developed in the United Kingdom in the early 1960s. Beat music is a fusion of rock and roll (mainly Chuck Berry guitar style and the midtempo beat of artists like Buddy Holly), doo-wop, skiffle and R&B. The genre provided many of the bands responsible for the British Invasion of the American pop charts starting in 1964, and provided the model for many important developments in pop and rock music, including the format of the rock group around lead, rhythm and bass guitars with drums. The Beat Of The Pops - excellent selection of beat tracks.