Soul

We Sold Our Soul for Rock 'n' Roll is a compilation album by Black Sabbath, originally released on 1 December 1975 in the UK and then on 3 February 1976 in the U.S…

Willis Jackson - Soul Night Live! (1964) {Prestige PRCD-24273-2 rel 2002} (with Pat Martino)
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 474 Mb | MP3 @320 -> 171 Mb
Full Artwork @ 300 dpi (jpg) -> 14 Mb | 5% repair rar
© 1964, 2002 Prestige / Fantasy | PRCD-24273-2
Jazz / Soul Jazz / Jazz Blues / Hard Bop / Saxophone

The term "soul" was tossed around quite a bit in the '60s and '70s. It usually had an African-American connotation – as in soul brother, soul sister, soul food, soul music (a specific style of R&B), or James Brown, the Godfather of Soul. But the term isn't always used in reference to black culture; soulful means expressive, and in that sense, country greats Ernest Tubb and Patsy Cline were seriously soulful. However you define the word soul, Willis "Gator" Jackson was the epitome of it. The tenor titan played with a tremendous amount of feeling, and in the '60s, Prestige wasn't shy about using the word soul in connection with his work.

Grammy-nominated Henta is an independent singer, songwriter, sonic nurturer, and producer, originally from the UK, now living in the US at Anamchara Ministries & Monastery. She writes immersive music, taking you on a kaleidoscopic journey melding the ambient and acoustic with her sensual voice as your guide.
"Laserium for the soul" is a series of songs and instrumental pieces written with loving intent to bring in healing light and take you on a gentle journey of relaxation and meditation…

Various Artists - Sweet Dreams: Where Country Meets Soul Vol. 2 (2013) {Ace Records CDKEND 395}
EAC rip (secure mode) | FLAC (tracks) +CUE+LOG -> 449 Mb | MP3 @320 -> 190 Mb
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© 2013 Ace Records / Kent Records | CDKEND 395
Country / Soul / R&B / Country Soul / Southern Soul

Sweet Dreams: Where Country Meets Soul, Ace's second dip into the country-soul well, is every bit as good as its 2012 predecessor. Basically, it's cut from the same cloth as the first volume, concentrating on recordings from the late '60s but stretching deep into the '70s (Millie Jackson's "Sweet Music Man" dates from 1977), with Ted Taylor's 1962 "I'll Release You" and Orquestra Was' 1996 "Forever's a Long, Long Time Ago" functioning as de facto ringers. "Forever's a Long, Long Time Ago" may fit aesthetically but certainly not sonically, as it's a crisp digital blast on a collection devoted to warm, lush, analog soul.