Five CDs and 94 tracks from her 1962-63 recording sessions give this complete Dinah Washington collection from Mosaic ample opportunities for extended listening. Five hours of Ms. Washington's expressive way with a song tell a long and detailed story.
This set continues tracing the musical career of the multi talented Henry Glover. Up through 1959 Henry continued his association with King Records writing and producing for King and its Federal and Bethlehem subsidiaries and the first disc and half the second are devoted to these recordings featuring classic performances by Wynonie Harris, Sonny Thompson, Moon Mullican, Lulu Reed, Tiny Bradshaw, The Five Royales, The Checkers, Linda Hopkins, Bill Doggett and others. It also features covers of Glover's King songs including Ray Charles spectacular version of Drown In My Tears, Teresa Brewer's improbable cover of Wynonie Harris's Lovin' Machine, Johnny Burnette's version of The Delmore Brothers' Blues Stay Away From Me and others.
This 4 CD set brings together eight original albums from Ben Webster, on which he collaborates with a host of other Jazz Greats. Ideal as both a starting point for those new to Webster's work, and as a compilation more diverse in it's content than the more traditional anthology, this selection is certain to delight fans new and old of one of the greatest sax-players to have ever blown a note.
Another fine Webster release on Verve that sees the tenor great once again backed by the deluxe Oscar Peterson Trio. In keeping with the high standard of their Soulville collaboration of two years prior, Webster and the trio – Peterson is joined by bassist Ray Brown and drummer Ed Thigpen – use this 1959 date to conduct a clinic in ballad playing. And while Soulville certainly ranks as one of the tenor saxophonist's best discs, the Ben Webster Meets Oscar Peterson set gets even higher marks for its almost transcendent marriage of after-hours elegance and effortless mid-tempo swing – none of Webster's boogie-woogie piano work to break up the mood here.
Another fine Webster release on Verve that sees the tenor great once again backed by the deluxe Oscar Peterson Trio. In keeping with the high standard of their Soulville collaboration of two years prior, Webster and the trio – Peterson is joined by bassist Ray Brown and drummer Ed Thigpen – use this 1959 date to conduct a clinic in ballad playing. And while Soulville certainly ranks as one of the tenor saxophonist's best discs, the Ben Webster Meets Oscar Peterson set gets even higher marks for its almost transcendent marriage of after-hours elegance and effortless mid-tempo swing – none of Webster's boogie-woogie piano work to break up the mood here.