Spanish Festivals

Spanish cellist Pablo Casals ceased performing in 1946 to protest the world's indifference to the oppressive Franco regime then in power in his homeland. The silence of the cellist, then in his 70s, was keenly felt by the millions who loved him. When he returned to concertizing in 1950, at first it was only to honor Bach, who had died two hundred years before. Violinist Alexander Schneider (of the Budapest Quartet) was integral in coaxing Casals out of his silence and in planning what became known as the Prades Bach Festival.

Praised as “the soul of the Spanish guitar,” he has become a worldwide sensation known as this generation’s great guitarist. Pablo Sáinz-Villegas has been acclaimed by the international press as the successor of Andrés Segovia and an ambassador of Spanish culture in the world. His “virtuosic playing characterized by irresistible exuberance” (The New York Times) make him one of the most acclaimed soloists by prestigious conductors, orchestras and festivals.

"The First Great Rock Festivals Of The Seventies" reads the title of this triple LP that I present today…