Status Quo

Though Status Quo is best known for fast and undistinguished boogie rock, they were quite capable of subtlety when it suited them. Despite the name, most of the music on Piledriver is varied and subtle enough to be interesting. The power boogie is indeed there, as represented by crowd-pleasers like "Don't Waste My Time" and "Paper Plane," but so also are quieter, softer pieces with acoustic textures and progressive structures. The melancholy "A Year" is a standout track, a stark, melancholy song about carrying on after a loved one has died.

The change was going on. In 1971, while Led Zeppelin, Deep Purple, and Black Sabbath were competing to be considered the genuine pioneers of the hard rock genre, Status Quo was involved in an inner struggle to find themselves and their own sound. Nobody would have said then that a few years later, Francis Rossi, Rick Parfitt, Alan Lancaster, and John Coghlan would be fighting in the peak of European charts with the groups before mentioned. Dog of Two Head was going to be their first step…

Bearing in mind that almost anything Status Quo chose to do could only be a vast improvement on their last album, Ain't Complaining, Perfect Remedy was very well titled – and that despite being far from perfect itself. Indeed, "Tommy's in Love" is arguably the worst song the band had ever recorded, while "Not at All" only sprang to attention when it became the band's worst performing 45 since the very early '70s. It's also worth remembering that, while the album does abandon its predecessor's attempt to locate a new band sound, that's only because it thinks it has found one, in the form of producer Pip Williams' slick, country-rock approach. It has a little more in common with some of the band's efforts from the early '80s ("Living on an Island" would have fit nicely in here), but still you can't help wondering what was wrong with the band's own sound? And how long before they get back to it?