Steeleye Span

Steeleye Span - Live At The Bottom Line, 1974 (2024) [Official Digital Download]

Steeleye Span - Live At The Bottom Line, 1974 (2024)
FLAC (tracks) 24-bit/44,1 kHz | Front Cover | Time - 73:48 minutes | 857 MB
British Folk Rock | Label: Omnivore Recordings, Official Digital Download

Previously unissued performance from the iconic British folk-rock band recorded live at New York’s legendary Bottom Line.

Steeleye Span - Live At The Bottom Line, 1974 (2024)  Music

Posted by Rtax at Feb. 15, 2024
Steeleye Span - Live At The Bottom Line, 1974 (2024)

Steeleye Span - Live At The Bottom Line, 1974 (2024)
WEB FLAC (tracks, digital booklet) - 490 MB | MP3 CBR 320 kbps - 177 MB
1:13:36 | Folk Rock| Label: Omnivore Recordings

Previously unissued performance from the iconic British folk-rock band recorded live at New York’s legendary Bottom Line • Recorded on the Now We Are Six tour • Introduces one of their best-known songs, “Thomas The Rhymer” – a track that has become a staple in their live set since its release on Now We Are Six Fairport Convention co-founder and bassist Ashley Hutchings and legendary singer, Sandy Denny parted ways with the group after their classic Liege And Leaf album. Hutchings recruited Tim Hart & Maddy Prior (an established folk duo) and Terry & Gay Woods, naming their new band after a character in the traditional song “Horkstow Grange.” While their line-up fluctuated (Terry Woods would leave and later become the bassist in the classic Pogues line-up a decade later), the band solidified and continues to this day.

Steeleye Span - Now We Are Six Again (2011)  Music

Posted by gribovar at July 11, 2021
Steeleye Span - Now We Are Six Again (2011)

Steeleye Span - Now We Are Six Again (2011)
EAC Rip | FLAC (tracks+.cue+log) - 639 MB | MP3 CBR 320 kbps (LAME 3.93) - 221 MB | Covers - 24 MB
Genre: Folk Rock | RAR 3% Rec. | Label: Park Records (PRKCD113)

Recorded live on the spring tour 2011.
Even with a career that has brought us an incredible twenty-one studio albums, British folk legends Steeleye Span’s history still includes a number of records that stand out as landmarks. 1974’s Now We Are Six was one such moment, an album that saw the band expand both their line up to a six piece and with it their sound to explore even further their own unique blend of rock and folk music. A critical and commercial success, the record would provide a home to a number of band classics down the years.
Thirty-seven years later and Steeleye Span find themselves at another milestone…

Steeleye Span - Commoners Crown (LP / FLAC)  Vinyl & HR

Posted by Fran Solo at April 3, 2011
Steeleye Span - Commoners Crown (LP / FLAC)

Steeleye Span - Commoners Crown (LP / FLAC)
FLAC | CUE | NO LOG | Full LP Cover (1:1) | 275MB
Genre: Folk-Rock | Label: Chrysalis 88.713-I | Original release: 1975

The previous album, Now We Are Six, was where it finally all came together for Steeleye Span, but it was with Commoner's Crown that the reached their peak in my opinion. Over a series of several albums there was a clear progression in their music that I feel culminated with the present album. The promises of previous albums finally came to fruition with this one. Commoner's Crown maintains everything that was so appealing about Now We Are Six but it at the same time leaves out most of that album's inconsistencies and minor flaws. From a Prog point of view, these two albums are among the best of 70's Steeleye Span and thus excellent places to start your investigation into the discography of the band.
Progarchives review.

Steeleye Span - Wintersmith (2013)  Music

Posted by SERTiL at Dec. 11, 2013
Steeleye Span - Wintersmith (2013)

Steeleye Span - Wintersmith
Folk Rock, Folk, Celtic | MP3 CBR 320 kbps | 63:42 min | 145 MB
Label: Park Records | Tracks: 16 | Rls.date: 2013-11-28

The return of folk rock pioneers Steeleye Span. Pop stars and an inspiration to generations, Steeleye Span has been many things. With Maddy Prior, the voice of Steeleye for 40 years, at the helm of the lineup which features band stalwart and fiddler extraordinary Peter Knight, Rick Kemp on bass, Peter Zorn and Julian Littman on Guitars and Liam Genockey on the drum stool.
Steeleye Span - The Lark In The Morning: The Early Years (2003)

Steeleye Span - The Lark In The Morning: The Early Years (2003)
Folk Rock | 3lp on 2cd | EAC Rip | Ape + Cue + Log | covers
Sanctuary CMDDD781 | rec: 1970 & 71 | 775Mb

Lark in the Morning: The Early Years is a mid-priced, two-disc rendering of the band's first three records. Remastered for the first time, Hark! the Village Wait, Please to See the King, and Ten Man Mop are featured in their entirety, and in their original sequence, making this an absolute necessity for fans, and a perfect entry point for the uninitiated. Steeleye Span are masters of arrangement, and nowhere is that more evident than on their debut. Though familial tension ran high during its recording, Hark! the Village Wait yielded some of the most agreeable tunes the band ever laid to tape.

Steeleye Span - All Around My Hat (1975)  Music

Posted by v3122 at Dec. 30, 2016
Steeleye Span - All Around My Hat (1975)

Steeleye Span - All Around My Hat (1975)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
1989 | Shanachie Records, 79059 | ~ 227 or 91 Mb | Scans(jpg) -> 85 Mb
Folk, Folk Rock

The biggest selling of all Steeleye Span albums is also their hardest rocking record. They sound like would-be competitors to the Who on the opening bars of "The Wife of Usher's Well," with Bob Johnson's electric guitar grinding out power chords like nobody's business…
Steeleye Span ‎- Below The Salt (1972) US 1st Pressing - LP/FLAC In 24bit/96kHz

Steeleye Span ‎- Below The Salt
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz | 900mb
Label: Chrysalis/CHR 1008 | Released: 1972 | Genre: Progressive-Folk

Essential: a masterpiece of progressive folk music
This is the great Steeleye Span's fourth studio album and in addition to furthering their lovely communion of traditional British folk and blustery hard blues, it was the first release without founder/bassist Ashley Hutchings.

Steeleye Span - Live at Last! (2014 Remaster) (1978/2014)  Music

Posted by Rtax at Aug. 16, 2022
Steeleye Span - Live at Last! (2014 Remaster) (1978/2014)

Steeleye Span - Live at Last! (2014 Remaster) (1978/2014)
FLAC (tracks) - 313 MB | MP3 CBR 320 kbps - 115 MB
49:37 | Folk Rock | Label: Chrysalis Records

Live at Last is a live album by the British folk rock band Steeleye Span. It is the first live album the band issued, after eight years of performing and releasing 10 studio albums. It was originally intended to be a farewell album. "This then is our eleventh and final album. Steeleye Span amicably disbanded five days after making this recording for reasons that are irrelevant here.” It is one of only two albums the band issued on which John Kirkpatrick played (not counting a later live reunion album, The Journey), making it one of only two albums to employ an accordion as a primary instrument. The album is also notable because only two of the tracks ("Saucy Sailor/Black Freighter" and "False Knight on the Road") were songs that the band had recorded before, so that most of the material on the album is essentially new material. The band went on to release a second live version of "The Maid and the Palmer" on The Journey.
Steeleye Span - Gone To Australia: On Tour 1975-84 (2001)

Steeleye Span - Gone To Australia: On Tour 1975-84 (2001)
Folk Rock | 1cd | EAC Rip | Flac + Cue + Log | covers
Raven, RVCD-123 | rel: 2001 | 505Mb

Anglo-American ears might not credit it, but Steeleye Span was at least as popular in Australia as they were elsewhere around the world, and tours of that continent during the 1970s and 1980s always brought out some of their best ever live performances. Certainly, compared to the lackluster "official" live album that the band recorded in the U.K., the tapes culled for Gone to Australia: On Tour 1975-1984, largely drawn from FM radio broadcasts (but also absorbing the nine-track Australian On Tour live promo LP), recapture a power and effervescence that most people thought had been lost forever.