Voyage of the Acolyte is the debut solo album from then-Genesis guitarist Steve Hackett. It was released in 1975 on Chrysalis Records in the US and Charisma Records for the rest of the world. It featured heavy contributions from Genesis bandmates Phil Collins and Mike Rutherford. After this album, Hackett began to feel stifled within the democratic approach to the way Genesis placed music on their albums.
Defector was the fourth solo album from former Genesis guitarist Steve Hackett. It was released in 1980 on the Charisma label. In 2005, Defector was remastered and re-released on Virgin Records. The new edition features updated liner notes and five bonus tracks.
Recorded live in concert on Steve's 1996 Genesis Revisited Tour of Japan, The Tokyo Tapes highlights some of Hackett's own solo material along side new interpretations of Genesis classics written while he was with the band. Unlike the 1999 Asian pressing of this DVD (called Steve Hackett & Friends - Live In Japan) on Panorama Music Video, the new Camino issue features 18 minutes of unreleased rehearsal footage. Hackett's line-up on this tour is among my favorites of his touring bands.
Bay of Kings is the seventh solo album from former Genesis guitarist Steve Hackett. It is Hackett's first full album of classical guitar music, completely instrumental. When Hackett's record company, Charisma Records, refused to release the album over concerns about its commercial viability, Hackett left the label and released Bay of Kings through independent record company Lamborghini Records (started by the Swiss Patric Mimran who owned the car company at that time). It was later reissued by his own Camino Records. His wife at the time, Kim Poor, originally painted a nude portrait for the cover, but it was replaced for the Camino reissue by a painting of her husband.
Till We Have Faces is the eighth solo album by guitarist Steve Hackett. The album is rock, with elements of world music. The majority of the album was recorded in Brazil, while the final mixing was done in London. The name of the album comes from a novel by C.S. Lewis, whose work is a long-time influence on Hackett.
The Tokyo Tapes is ex-Genesis guitarist Steve Hackett's live album featuring a progressive rock supergroup line-up of John Wetton (from King Crimson, UK, Asia), Chester Thompson (from Weather Report, Frank Zappa, Genesis live), Ian McDonald (from King Crimson, Foreigner) and rounded out by keyboardist Julian Colbeck (worked with Yes spin-off Anderson Bruford Wakeman Howe). The album was compiled from two concerts at Koseinenkin Hall in Tokyo, Japan on 16 & 17 December 1996.
It takes a legend to bring a myth back to life. A unique treat for music fans worldwide, Steve Hackett's critically acclaimed live production 'Genesis Revisited' has so far triumphed in Europe, Japan and North America alike and is still going strong; on May 10th it celebrated its success at a sold out London's Hammersmith Apollo with an ecstatic audience. Genesis Revisited - Live at Hammersmith - a unique performance with guests including Nik Kershaw, John Wetton, Jakko Jakszyk, Steve Rothery and Amanda Lehmann - will be released on October 21st. The 3CD+2DVD (with 5.1) box set, coincides with the return of Hackett's Genesis Revisited Tour to the UK for a second round due to popular demand.
Till We Have Faces is the eighth solo album by guitarist Steve Hackett. The album is rock, with elements of world music. The majority of the album was recorded in Brazil, while the final mixing was done in London. The name of the album comes from a novel by C.S.Lewis, whose work is a long-time influence on Hackett. As with most of Steve Hackett's records, the sleeve painting was created by his wife at the time, Kim Poor, the Brazilian artist, under the title Silent Sorrow in Empty Boats, after an instrumental piece by Hackett's former group Genesis, on the album The Lamb Lies Down on Broadway.
Japanese edition of 2000 solo release for the former U.K. and Asia vocalist. Additional artists include Robert Fripp and Ian McDonald (King Crimson), Steve Hackett (Genesis), John Young (Asia/Qango), Martin Orford (IQ/Jadis) and John Mitchell (Arena). Tracks include, 'Heart of Darkness', 'No Ordinary Miracle' and 'Second Best'. Japanese edition includes two bonus tracks, 'Love Is' and 'Space And Time'. It was re-released in 2001 under the title Sinister without the bonus tracks but with a different cover.
The Broadsword and the Beast is the 14th studio album by Jethro Tull, released on 10 April 1982 and according to Ian Anderson in the liner notes of the remastered CD, contains some of Jethro Tull's best music. It mixes electronic sound, provided by Peter-John Vettese (a characteristic that would be explored further on the next album Under Wraps), with acoustic instruments. The album is a cross between the synthesiser sound of the 1980s and the folk-influenced style that Tull had in the previous decade. The Broadsword and the Beast is one of Steve Hackett's favorite albums.