Steve Hackett "japan"

Till We Have Faces is the eighth solo album by guitarist Steve Hackett. The album is rock, with elements of world music. The majority of the album was recorded in Brazil, while the final mixing was done in London. The name of the album comes from a novel by C.S.Lewis, whose work is a long-time influence on Hackett. As with most of Steve Hackett's records, the sleeve painting was created by his wife at the time, Kim Poor, the Brazilian artist, under the title Silent Sorrow in Empty Boats, after an instrumental piece by Hackett's former group Genesis, on the album The Lamb Lies Down on Broadway.

Deluxe eight disc (six CD + two NTSC/Region 0 DVDs) in artbook pressing. Broken Skies - Outspread Wings is the extensive, detailed sequel to Premonitions (2015) and covers the years 1984 to 2006 in the production history of legendary former Genesis guitarist Steve Hackett. The albums were all remastered in 2018 and often offer various bonus pieces. In addition to the albums Till We Have Faces, Guitar Noir, Darktown, Feedback 86, To Watch the Storms and Wild Orchids, this includes a superb Roger Dean (Yes, Uriah Heep) painting ennobled artbook…

Till We Have Faces is the eighth solo album by guitarist Steve Hackett. The album is rock, with elements of world music. The majority of the album was recorded in Brazil, while the final mixing was done in London. The name of the album comes from a novel by C.S. Lewis, whose work is a long-time influence on Hackett.

Though you will see Till We Have Faces often mentioned as the first rock album to draw from world music influences, that's not quite true. Santana, John McLaughlin, Os Mutantes, the Police, Jade Warrior, and others were doing it long before. That said, the album was done before Paul Simon ushered it in as a trend with Graceland. Recorded in Rio de Janeiro and mixed in London, it's a step away from the progressive rock he'd become recognized for and is a mostly successful venture. A couterie of Latin percussionists flesh out the almost all Brazilian band that graces the album, adding layers of complex rhythms. These rhythms are the core of the album and make such songs as "A Doll That's Made in Japan" and "What's My Name" more exotic and interesting; they creatively juxtapose Oriental and South American styles…

The Tokyo Tapes is ex-Genesis guitarist Steve Hackett's live album featuring a progressive rock supergroup line-up of John Wetton (from King Crimson, UK, Asia), Chester Thompson (from Weather Report, Frank Zappa, Genesis live), Ian McDonald (from King Crimson, Foreigner) and rounded out by keyboardist Julian Colbeck (worked with Yes spin-off Anderson Bruford Wakeman Howe). The album was compiled from two concerts at Koseinenkin Hall in Tokyo, Japan on 16 & 17 December 1996.

Steve Hackett - Genesis Revisited: Live At Hammersmith (2013) [3CD+2DVD] {InsideOut}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 934 Mb | MP3 @320 -> 361 Mb
2xDVD -> 9.50 Gb | All Regions | NTSC 16:9 | Dolby AC3, 2 ch / Dolby AC3, 6 ch | ~ 199 m | ISO Images
Full Artwork @ 300 dpi (jpg) -> 25 Mb | 5% repair rar
© 2013 InsideOut Music / CMR | IOMCD 391 / 050664 8
Rock / Progressive Rock

It takes a legend to bring a myth back to life. A unique treat for music fans worldwide, Steve Hackett's critically acclaimed live production 'Genesis Revisited' has so far triumphed in Europe, Japan and North America alike and is still going strong; on May 10th it celebrated its success at a sold out London's Hammersmith Apollo with an ecstatic audience. Genesis Revisited - Live at Hammersmith - a unique performance with guests including Nik Kershaw, John Wetton, Jakko Jakszyk, Steve Rothery and Amanda Lehmann - will be released on October 21st. The 3CD+2DVD (with 5.1) box set, coincides with the return of Hackett's Genesis Revisited Tour to the UK for a second round due to popular demand.

In early 1973, Genesis allowed the taping of a couple of live shows for broadcast in America as part of the King Biscuit Flower Hour syndicated radio show – most of their current set, drawn from their albums up through 1972's Foxtrot, was represented. A few months later, Tony Stratton-Smith, the head of Charisma Records, to which the group was signed, approached them about allowing him to fill the extended gap between Foxtrot and their next album, Selling England by the Pound, by releasing a live album from this same taped performance.

A unique mixture of desperation and serenity that has always been present in his music; the title track and "Emma" are the first ones to get to your head, but then comes the time also for "Desperate Times", "The Last Thing on my Mind" and almost all the others…