Steve Hackett "japan"

For the live recordings of his acclaimed album To Watch The Storms, Steve Hackett put together a new band. Already before its release in 2003 he had performed a few pieces on a tour of South America, including the breathtaking "Mechanical Bride" and the enchanting and wonderful "Serpentine Song".

Stephen Richard Hackett (born 12 February 1950) is an English musician, songwriter, singer, and producer who gained prominence as the lead guitarist of the progressive rock band Genesis from 1971 to 1977. Hackett contributed to six Genesis studio albums, three live albums, seven singles and one EP before he left to pursue a solo career. He was inducted into the Rock and Roll Hall of Fame as a member of Genesis in 2010…

Steve Hackett's last release for Charisma Records in Britain is one of his strongest efforts. Hackett once again handles all the lead vocals, but sounds more assured in the role than he did on Cured. This album spawned Hackett's one and only solo hit single, "Cell 151," which charted in Britain…

Though you will see Till We Have Faces often mentioned as the first rock album to draw from world music influences, that's not quite true. Santana, John McLaughlin, Os Mutantes, the Police, Jade Warrior, and others were doing it long before. That said, the album was done before Paul Simon ushered it in as a trend with Graceland. Recorded in Rio de Janeiro and mixed in London, it's a step away from the progressive rock he'd become recognized for and is a mostly successful venture. A couterie of Latin percussionists flesh out the almost all Brazilian band that graces the album, adding layers of complex rhythms. These rhythms are the core of the album and make such songs as "A Doll That's Made in Japan" and "What's My Name" more exotic and interesting; they creatively juxtapose Oriental and South American styles…

A blues album by prog rocker and classically trained guitarist Steve Hackett? It may seem a bit of a surprise, but as Hackett himself explains, his first musical affinity was for the blues, and his first instrument of choice was the harmonica, not the guitar. So he returns to his roots on this release, unknown as they are to most of his audience. Most of the songs are original compositions, and the tunes are well written. Hackett plays a mean harmonica throughout, and shines in particular on a couple of instrumental numbers, "A Blue Part of Town" and "Footloose" (mercifully not the Kenny Loggins song). Hackett sings lead vocals on the other songs, and unfortunately his voice just doesn't lend much conviction to blues material, even though it's treated to sound much deeper and grittier…

Genesis guitarist Steve Hackett has assembled a wide variety of musicians to rework many classic Genesis songs. The end result is quite interesting. Some songs are quite true to the original, while some are very big departures – some are wonderful, some not quite so impressive. In general, this is an intriguing work, that is quite satisfying for the fans of old Genesis…

Please Don't Touch! is the second solo album by English guitarist Steve Hackett, and his first after leaving Genesis in 1977.

Spectral Mornings is the third release and the second post-Genesis album by British guitarist Steve Hackett. The album is the first recording to feature Hackett's first true touring band, consisting of his brother John Hackett on flute, guitar and bass pedals, long-time collaborator keyboardist Nick Magnus, bassist/vocalist Dik Cadbury, drummer John Shearer and vocalist Peter Hicks. In 2005, Spectral Mornings was remastered and re-released on Virgin Records. The new edition features updated liner notes and seven bonus tracks.