"Hallowed Be Thy Name" is a song written by Steve Harris for the 1982 Iron Maiden album The Number of The Beast.
This is another great, but completely underrated album from obscure UK progressive rock band. Released in November 1970 on Beacon Records, the Whichwhat's First (and last, unfortunately) album contained an eclectic mix of styles - from bluesy prog, through jazz-rock to folk ballad. That varied and (sometimes) simply stunning album will certainly appeal to the fans of early Jethro Tull, Family and Traffic - with plenty of sax and flute, nice guitar leads and very busy and inventive drumming. It's worth noting that the drummer Steve Harris played before in Woody Kern - another very underrated UK progressive band. In addition to the original LP listing, the four singles tracks has been included as a bonus. This CD has been carefully remastered from the original source and sounds better than ever!
The return of Iron Maiden's "classic" Dickinson/Harris/Murray/Smith/McBrain lineup (plus third guitarist Janick Gers) in 1999 led to an incredibly successful world tour that saw the New Wave of British Heavy Metal legends commanding stages with the same unmitigated power and authority as they had during their mid-'80s heyday…
The return of Iron Maiden's "classic" Dickinson/Harris/Murray/Smith/McBrain lineup (plus third guitarist Janick Gers) in 1999 led to an incredibly successful world tour that saw the New Wave of British Heavy Metal legends commanding stages with the same unmitigated power and authority as they had during their mid-'80s heyday. But the question remained as to whether the reconstituted group would be able to carry this momentum into a studio setting and recapture the songwriting chops of its glory years.
The return of Iron Maiden's "classic" Dickinson/Harris/Murray/Smith/McBrain lineup (plus third guitarist Janick Gers) in 1999 led to an incredibly successful world tour that saw the New Wave of British Heavy Metal legends commanding stages with the same unmitigated power and authority as they had during their mid-'80s heyday. But the question remained as to whether the reconstituted group would be able to carry this momentum into a studio setting and recapture the songwriting chops of its glory years.